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,936 1899 86,492 Total, 30 years, 1,079,445 It will readily be seen that this great number of copyrights does not represent books alone. Many thousands of entries are daily and weekly periodicals claiming copyright protection, in which case they are required by law to make entry of every separate issue. These include a multitude of journals, literary, political, scientific, religious, pictorial, technical, commercial, agricultural, sporting, dramatic, etc., among which are a number in foreign languages. These entries also embrace all the leading monthly and quarterly magazines and reviews, with many devoted to specialties--as metaphysics, sociology, law, theology, art, finance, education, and the arts and sciences generally. Another large class of copyright entries (and the largest next to books and periodicals) is musical compositions, numbering recently some 20,000 publications yearly. Much of this property is valuable, and it is nearly all protected by entry of copyright, coming from all parts of the Union. There is also a large and constantly increasing number of works of graphic art, comprising engravings, photographs, photogravures, chromos, lithographs, etchings, prints, and drawings, for which copyright is entered. The steady accumulation of hundreds of thousands of these various pictorial illustrations will enable the government at no distant day, without a dollar of expense, to make an exhibit of the progress of the arts of design in America, which will be highly interesting and instructive. An art gallery of ample dimensions for this purpose is provided in the new National Library building. It remains to consider briefly the principles and practice of what is known as international copyright. Perhaps there is no argument for copyright at all in the productions of the intellect which is not good for its extension to all countries. The basis of copyright is that all useful labor is worthy of a recompense; but since all human thought when put into material or merchantable form becomes, in a certain sense, public property, the laws of all countries recognize and protect the original owners, or their assigns to whom they may convey the right, in an exclusive privilege for limited terms only. Literary property therefore is not a natural right, but a conventional one. The author's right to his manuscript is, indeed, absolute, and the law will protect him in it as fully as it will
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