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o., we do not know; but on the whole we hope they will not. The puzzle is that a young man of decent parts, who enjoyed (when he was at Oxford), the opportunity of associating with gentlemen, should put his name (such as it is) to so stupid and vulgar a piece of work. Let nobody read it in the hope of finding witty paradox or racy wickedness. The writer airs his cheap research among the garbage of the French _Decadents_ like any drivelling pedant, and he bores you unmercifully with his prosy rigmaroles about the beauty of the Body and the corruption of the Soul. The grammar is better than Ouida's; the erudition equal: but in every other respect we prefer the talented lady who broke off with "pious aposiopesis" when she touched upon "the horrors which are described in the pages of Suetonius and Livy"--not to mention the yet worse infamies believed by many scholars to be accurately portrayed in the lost works of Plutarch, Venus, and Nicodemus, especially Nicodemus. Let us take one peep at the young men in Mr. Oscar Wilde's story. Puppy No. 1 is the painter of the picture of Dorian Gray; Puppy No. 2 is the critic (a courtesy lord, skilled in all the knowledge of the Egyptians and aweary of all the sins and pleasures of London); Puppy No. 3 is the original, cultivated by Puppy No. 1 with a "romantic friendship". The Puppies fall a-talking: Puppy No. 1 about his art, Puppy No. 2 about his sins and pleasures and the pleasures of sin, and Puppy No. 3 about himself--always about himself, and generally about his face, which is "brainless and beautiful". The Puppies appear to fill up the intervals of talk by plucking daisies and playing with them, and sometimes by drinking "something with strawberry in it." The youngest Puppy is told that he is charming; but he mustn't sit in the sun for fear of spoiling his complexion. When he is rebuked for being a naughty, wilful boy, he makes a pretty _moue_--this man of twenty! This is how he is addressed by the Blase Puppy at their first meeting: "Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away.... When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you.... Time is jealous of you, and wars against your lilies and roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly."[5] Why, bless our souls! haven't we read something of this kind so
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