FREE BOOKS

Author's List




PREV.   NEXT  
|<   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104  
105   106   107   108   109   110   111   >>  
to instil bitterness into her resentful words. The classic legend, instead of representing Oenone as forgiving Paris, makes her nurse her wrath throughout all the anguish and terror of the Trojan War. At its end, her Paris comes back to her. Deprived of Helen, a broken and baffled man, he returns from the ruins of his native Troy, and entreats Oenone to heal him of a wound, which, unless she lends her aid, must be mortal. Oenone gnashes her teeth at him, refuses him the remedy, and lets him die. In the end, no doubt, she falls into remorse, and kills herself--this is quite in the spirit of classic legend; implacable vengeance, soul-sickened with its own victory, dies in despair. That forgiveness of injuries could be anything but weakness--that it could be honourable, beautiful, brave--is an entirely Christian idea; and it is because this idea, although it has not yet practically conquered the world, although it has indeed but slightly modified the conduct of nations, has nevertheless secured recognition as ethically and socially right, that Tennyson could not hope to enlist the sympathy and admiration of his readers for his Oenone, if he had cast her image in the tearless bronze of Pagan obduracy." 1. IDA. A mountain range in Mysia, near Troy. The scenery is, in part, idealised, and partly inspired by the valley of Cauteretz. See _Introduction_, p. xvi. 2. IONIAN. Ionia was the district adjacent to Mysia. 'Ionian,' therefore, is equivalent to 'neighbouring.' 10. TOPMOST GARGARUS. A Latinism, cf. _summus mons_. 12. TROAS. The Troad (Troas) was the district surrounding Troy. ILION=Ilium, another name for Troy. 14. CROWN=chief ornament. 22-23. O MOTHER IDA--DIE. Mr. Stedman, in his _Victorian Poets_, devotes a valuable chapter to the discussion of Tennyson's relation to Theocritus, both in sentiment and form. "It is in the _Oenone_ that we discover Tennyson's earliest adaptation of that refrain, which was a striking beauty of the pastoral elegiac verse; "'O mother Ida, hearken ere I die,' "is the analogue of (Theocr. II). "'See thou; whence came my love, O lady Moon,' etc. "Throughout the poem the Syracusan manner and feeling are strictly and nobly maintained." Note, however, the modernisation already referred to. MOTHER IDA. The Greeks constantly personified Nature, and attributed a separate individual life to rivers, mountains, etc. Wordsworth's _Excursion_, Book IV., migh
PREV.   NEXT  
|<   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104  
105   106   107   108   109   110   111   >>  



Top keywords:

Oenone

 

Tennyson

 
MOTHER
 

district

 

classic

 

legend

 
ornament
 
Stedman
 

devotes

 
valuable

chapter

 
Victorian
 

Ionian

 

adjacent

 

equivalent

 

neighbouring

 

IONIAN

 
Introduction
 

Cauteretz

 
TOPMOST

surrounding

 

discussion

 

Latinism

 

GARGARUS

 

summus

 

adaptation

 

strictly

 

maintained

 

modernisation

 
feeling

Throughout
 

manner

 

Syracusan

 

referred

 

individual

 
rivers
 

mountains

 

Wordsworth

 
separate
 
attributed

constantly

 

Greeks

 

personified

 

Nature

 

Excursion

 

earliest

 

refrain

 

valley

 

striking

 

discover