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Project Gutenberg's An Essence Of The Dusk, 5th Edition, by F. W. Bain This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: An Essence Of The Dusk, 5th Edition Author: F. W. Bain Release Date: March 7, 2004 [EBook #11499] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ESSENCE OF THE DUSK *** Produced by Annika and the Online Distributed Proofreading Team AN ESSENCE OF THE DUSK _Love turns venom, now I see, Flouted Beauties vipers be._ TRANSLATED FROM THE ORIGINAL MANUSCRIPT BY F.W. BAIN DEDICATED TO THE OTHER SEX. PREFACE. More generally known, perhaps, than any other Hindoo legend, is the story of the demon, RAHU, who brings about ECLIPSES, by devouring the Sun and Moon. For when the gods had upchurned the nectar, the delectable Butter of the Brine, Rahu's mouth watered at the very sight of it: and "in the guise of a god" he mingled unperceived among them, to partake. But the Sun and Moon, the watchful Eyes of Night and Day, detected him, and told Wishnu, who cast at him his discus, and cut his body from his head: but not until the nectar was on the way down his throat. Hence, though the body died, the head became immortal: and ever since, a thing unique, "no body and all head," a byword among philosophers, he takes revenge on Sun and Moon, the great Taletellers, by "gripping" them in his horrid jaws, and holding on, till he is tired, or can be persuaded to let go. Hence, in some parts of India, the doleful shout of the country people at eclipses: _Chor do! chor do[1]!_ and hence, also, the primary and surface meaning of our title: _A Digit of the Moon in the Demon's grip_: in plain English, _an eclipse of the moon_. And yet, legend though it be, there is something in the old mythological way of putting the case, which describes the situation in eclipses, far better than our arid scientific prose. I shall not easily forget, how, as we slid like ghosts at midnight, through the middle of the desert, along the Suez Canal[2], I watched the ghastly pallor of the wan unhappy moon, as the horrible shadow crept slowly over her face, stealing away her beauty, and turning the lone and level sands that stretche
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