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The Project Gutenberg EBook of A Love Story Reversed, by Edward Bellamy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Love Story Reversed 1898 Author: Edward Bellamy Release Date: September 21, 2007 [EBook #22711] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A LOVE STORY REVERSED *** Produced by David Widger A LOVE STORY REVERSED By Edward Bellamy 1898 I The golden hands of the parlor clock point glimmeringly to an hour after midnight, and the house is still. The gas is turned almost out, but the flickering of the dying sea-coal fire in the grate fitfully illumines the forms and faces of two young women, who are seated before it, talking earnestly in low tones. It is apparent from their costumes that they have been spending the evening out. The fair girl in the low chair, gazing pensively into the fire, is Maud Elliott, the daughter of the house. Not generally called handsome, her features are good and well balanced, and her face is altogether a sweet and wholesome one. She is rather tall, and the most critical admit that she has a fine figure. Her eyes are blue, and their clear, candid expression indicates an unusually sincere and simple character. But, unfortunately, it is only her friends who are fully conversant with the expression of her eyes, for she is very shy. Shyness in little people is frequently piquant, but its effect in girls of the Juno style is too often that of awkwardness. Her friends call Maud Elliott stately; those who do not like her call her stiff; while indifferent persons speak of her as rather too reserved and dignified in manner to be pleasing. In fact, her excess of dignity is merely the cloak of her shyness, and nobody knows better than she that there is too much of it. Those who know her at all well know that she is not dull, but with mere acquaintances she often passes for that. Only her intimate friends are aware what wit and intelligence, what warmth and strength of feeling, her coldness when in company conceals. No one better understands this, because no one knows her better or has known her longer, than her present companion before the fire, Lucy Mer-ritt. They were room
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