cember, 1870, and
January, 1871. {See Preface: Note to the Third Edition.}
--

The contemptible meanness and selfishness of jealousy
were never exhibited with greater power, than they are exhibited in
this short monologue--a power largely due to the artistic treatment.
The jealousy of Leontes, in `The Winter's Tale', of Shakespeare,
is nobility itself, in comparison with the Duke's. How distinctly,
while indirectly, the sweet Duchess is, with a few masterly touches,
placed before us! The poet shows his artistic skill especially
in his indirect, reflected portraitures.

This short composition, comprising as it does but fifty-six lines,
is, of itself, sufficient to prove the poet a consummate artist.
Tennyson's TECHNIQUE is quite perfect, almost "faultily faultless",
indeed; but in no one of his compositions has he shown an equal degree
of art-power, in the highest sense of the word.

{`My Last Duchess'}

"That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said,
`Fra Pandolf' by design: for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Fra Pandolf chanced to say `Her mantle laps
Over my lady's wrist too much', or `Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat': such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart--how shall I say?--too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace--all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,--good! but thanked
Somehow--I know not how--as if she ranked
My gift of a n