the gallery des
Martyrs was by means of a cast-iron pipe. When, in 1836, the old stone
sewer beneath the Faubourg Saint-Honore, in which we now see Jean
Valjean, was demolished for the purpose of reconstructing it, the
quicksand, which forms the subsoil of the Champs-Elysees as far as the
Seine, presented such an obstacle, that the operation lasted nearly
six months, to the great clamor of the dwellers on the riverside,
particularly those who had hotels and carriages. The work was more than
unhealthy; it was dangerous. It is true that they had four months and a
half of rain, and three floods of the Seine.

The fontis which Jean Valjean had encountered was caused by the downpour
of the preceding day. The pavement, badly sustained by the subjacent
sand, had given way and had produced a stoppage of the water.
Infiltration had taken place, a slip had followed. The dislocated bottom
had sunk into the ooze. To what extent? Impossible to say. The obscurity
was more dense there than elsewhere. It was a pit of mire in a cavern of
night.

Jean Valjean felt the pavement vanishing beneath his feet. He entered
this slime. There was water on the surface, slime at the bottom. He must
pass it. To retrace his steps was impossible. Marius was dying, and Jean
Valjean exhausted. Besides, where was he to go? Jean Valjean advanced.
Moreover, the pit seemed, for the first few steps, not to be very deep.
But in proportion as he advanced, his feet plunged deeper. Soon he had
the slime up to his calves and water above his knees. He walked on,
raising Marius in his arms, as far above the water as he could. The mire
now reached to his knees, and the water to his waist. He could no longer
retreat. This mud, dense enough for one man, could not, obviously,
uphold two. Marius and Jean Valjean would have stood a chance of
extricating themselves singly. Jean Valjean continued to advance,
supporting the dying man, who was, perhaps, a corpse.

The water came up to his arm-pits; he felt that he was sinking; it was
only with difficulty that he could move in the depth of ooze which
he had now reached. The density, which was his support, was also
an obstacle. He still held Marius on high, and with an unheard-of
expenditure of force, he advanced still; but he was sinking. He had only
his head above the water now and his two arms holding up Marius. In the
old paintings of the deluge there is a mother holding her child thus.

He sank still deeper, he turned