hey are streets--presenting itself in the gloom like an interrogation
point; first, on his left, the vast sewer of the Platriere, a sort of
Chinese puzzle, thrusting out and entangling its chaos of Ts and Zs
under the Post-Office and under the rotunda of the Wheat Market, as far
as the Seine, where it terminates in a Y; secondly, on his right, the
curving corridor of the Rue du Cadran with its three teeth, which
are also blind courts; thirdly, on his left, the branch of the
Mail, complicated, almost at its inception, with a sort of fork, and
proceeding from zig-zag to zig-zag until it ends in the grand crypt of
the outlet of the Louvre, truncated and ramified in every direction; and
lastly, the blind alley of a passage of the Rue des Jeuneurs, without
counting little ducts here and there, before reaching the belt sewer,
which alone could conduct him to some issue sufficiently distant to be
safe.

Had Jean Valjean had any idea of all that we have here pointed out, he
would speedily have perceived, merely by feeling the wall, that he was
not in the subterranean gallery of the Rue Saint-Denis. Instead of the
ancient stone, instead of the antique architecture, haughty and royal
even in the sewer, with pavement and string courses of granite and
mortar costing eight hundred livres the fathom, he would have felt under
his hand contemporary cheapness, economical expedients, porous stone
filled with mortar on a concrete foundation, which costs two hundred
francs the metre, and the bourgeoise masonry known as a petits
materiaux--small stuff; but of all this he knew nothing.

He advanced with anxiety, but with calmness, seeing nothing, knowing
nothing, buried in chance, that is to say, engulfed in providence.

By degrees, we will admit, a certain horror seized upon him. The gloom
which enveloped him penetrated his spirit. He walked in an enigma. This
aqueduct of the sewer is formidable; it interlaces in a dizzy fashion.
It is a melancholy thing to be caught in this Paris of shadows. Jean
Valjean was obliged to find and even to invent his route without seeing
it. In this unknown, every step that he risked might be his last. How
was he to get out? should he find an issue? should he find it in time?
would that colossal subterranean sponge with its stone cavities, allow
itself to be penetrated and pierced? should he there encounter some
unexpected knot in the darkness? should he arrive at the inextricable
and the impassable? would M