gle, which
is the customary angle of this species of subterranean ramifications,
being very rare in vegetation.

A more accurate image of this strange geometrical plan can be formed
by supposing that one is viewing some eccentric oriental alphabet,
as intricate as a thicket, against a background of shadows, and the
misshapen letters should be welded one to another in apparent confusion,
and as at haphazard, now by their angles, again by their extremities.

Sinks and sewers played a great part in the Middle Ages, in the Lower
Empire and in the Orient of old. The masses regarded these beds of
decomposition, these monstrous cradles of death, with a fear that was
almost religious. The vermin ditch of Benares is no less conducive to
giddiness than the lions' ditch of Babylon. Teglath-Phalasar, according
to the rabbinical books, swore by the sink of Nineveh. It was from the
sewer of Munster that John of Leyden produced his false moon, and it
was from the cess-pool of Kekscheb that oriental menalchme, Mokanna, the
veiled prophet of Khorassan, caused his false sun to emerge.

The history of men is reflected in the history of sewers. The
Germoniae[58] narrated Rome. The sewer of Paris has been an ancient and
formidable thing. It has been a sepulchre, it has served as an asylum.
Crime, intelligence, social protest, liberty of conscience, thought,
theft, all that human laws persecute or have persecuted, is hidden in
that hole; the maillotins in the fourteenth century, the tire-laine of
the fifteenth, the Huguenots in the sixteenth, Morin's illuminated in
the seventeenth, the chauffeurs [brigands] in the eighteenth. A
hundred years ago, the nocturnal blow of the dagger emerged thence, the
pickpocket in danger slipped thither; the forest had its cave, Paris had
its sewer. Vagrancy, that Gallic picareria, accepted the sewer as the
adjunct of the Cour des Miracles, and at evening, it returned thither,
fierce and sly, through the Maubuee outlet, as into a bed-chamber.

It was quite natural, that those who had the blind-alley Vide-Gousset,
[Empty-Pocket] or the Rue Coupe-Gorge [Cut-Throat], for the scene of
their daily labor, should have for their domicile by night the culvert
of the Chemin-Vert, or the catch basin of Hurepoix. Hence a throng of
souvenirs. All sorts of phantoms haunt these long, solitary
corridors; everywhere is putrescence and miasma; here and there are
breathing-holes, where Villon within converses with Rabelais wi