and the grass grew in
them; it was not a village, the houses were too lofty. What was it,
then? It was an inhabited spot where there was no one; it was a desert
place where there was some one; it was a boulevard of the great city, a
street of Paris; more wild at night than the forest, more gloomy by day
than a cemetery.

It was the old quarter of the Marche-aux-Chevaux.

The rambler, if he risked himself outside the four decrepit walls of
this Marche-aux-Chevaux; if he consented even to pass beyond the Rue du
Petit-Banquier, after leaving on his right a garden protected by high
walls; then a field in which tan-bark mills rose like gigantic beaver
huts; then an enclosure encumbered with timber, with a heap of stumps,
sawdust, and shavings, on which stood a large dog, barking; then a long,
low, utterly dilapidated wall, with a little black door in mourning,
laden with mosses, which were covered with flowers in the spring; then,
in the most deserted spot, a frightful and decrepit building, on which
ran the inscription in large letters: POST NO BILLS,--this daring
rambler would have reached little known latitudes at the corner of the
Rue des Vignes-Saint-Marcel. There, near a factory, and between two
garden walls, there could be seen, at that epoch, a mean building,
which, at the first glance, seemed as small as a thatched hovel, and
which was, in reality, as large as a cathedral. It presented its side
and gable to the public road; hence its apparent diminutiveness. Nearly
the whole of the house was hidden. Only the door and one window could be
seen.

This hovel was only one story high.

The first detail that struck the observer was, that the door could never
have been anything but the door of a hovel, while the window, if it
had been carved out of dressed stone instead of being in rough masonry,
might have been the lattice of a lordly mansion.

The door was nothing but a collection of worm-eaten planks roughly bound
together by cross-beams which resembled roughly hewn logs. It
opened directly on a steep staircase of lofty steps, muddy, chalky,
plaster-stained, dusty steps, of the same width as itself, which
could be seen from the street, running straight up like a ladder and
disappearing in the darkness between two walls. The top of the shapeless
bay into which this door shut was masked by a narrow scantling in the
centre of which a triangular hole had been sawed, which served both as
wicket and air-hole when the doo