ed with unhealthy trees, which was green or muddy according to the
season, and which ended squarely in the exterior wall of Paris. An odor
of copperas issued in puffs from the roofs of the neighboring factory.

The barrier was close at hand. In 1823 the city wall was still in
existence.

This barrier itself evoked gloomy fancies in the mind. It was the
road to Bicetre. It was through it that, under the Empire and the
Restoration, prisoners condemned to death re-entered Paris on the day
of their execution. It was there, that, about 1829, was committed that
mysterious assassination, called "The assassination of the Fontainebleau
barrier," whose authors justice was never able to discover; a melancholy
problem which has never been elucidated, a frightful enigma which has
never been unriddled. Take a few steps, and you come upon that fatal Rue
Croulebarbe, where Ulbach stabbed the goat-girl of Ivry to the sound of
thunder, as in the melodramas. A few paces more, and you arrive at the
abominable pollarded elms of the Barriere Saint-Jacques, that expedient
of the philanthropist to conceal the scaffold, that miserable and
shameful Place de Grove of a shop-keeping and bourgeois society, which
recoiled before the death penalty, neither daring to abolish it with
grandeur, nor to uphold it with authority.

Leaving aside this Place Saint-Jacques, which was, as it were,
predestined, and which has always been horrible, probably the most
mournful spot on that mournful boulevard, seven and thirty years ago,
was the spot which even to-day is so unattractive, where stood the
building Number 50-52.

Bourgeois houses only began to spring up there twenty-five years later.
The place was unpleasant. In addition to the gloomy thoughts which
assailed one there, one was conscious of being between the Salpetriere,
a glimpse of whose dome could be seen, and Bicetre, whose outskirts one
was fairly touching; that is to say, between the madness of women and
the madness of men. As far as the eye could see, one could perceive
nothing but the abattoirs, the city wall, and the fronts of a few
factories, resembling barracks or monasteries; everywhere about stood
hovels, rubbish, ancient walls blackened like cerecloths, new white
walls like winding-sheets; everywhere parallel rows of trees, buildings
erected on a line, flat constructions, long, cold rows, and the
melancholy sadness of right angles. Not an unevenness of the ground,
not a caprice in the a