26
Sec. 3. Distinction between taste and judgment. 27
Sec. 4. How far beauty may become intellectual. 27
Sec. 5. The high rank and function of ideas of beauty. 28
Sec. 6. Meaning of the term "ideal beauty." 28

CHAPTER VII.--Of Ideas of Relation.

Sec. 1. General meaning of the term. 29
Sec. 2. What ideas are to be comprehended under it. 29
Sec. 3. The exceeding nobility of these ideas. 30
Sec. 4. Why no subdivision of so extensive a class is necessary. 31

SECTION II.

OF POWER.

CHAPTER I.--General Principles respecting Ideas of Power.

Sec. 1. No necessity for detailed study of ideas of imitation. 32
Sec. 2. Nor for separate study of ideas of power. 32
Sec. 3. Except under one particular form. 33
Sec. 4. There are two modes of receiving ideas of power, commonly
inconsistent. 33
Sec. 5. First reason of the inconsistency. 33
Sec. 6. Second reason for the inconsistency. 34
Sec. 7. The sensation of power ought not to be sought in imperfect art. 34
Sec. 8. Instances in pictures of modern artists. 35
Sec. 9. Connection between ideas of power and modes of execution. 35

CHAPTER II.--Of Ideas of Power, as they are dependent upon Execution.

Sec. 1. Meaning of the term "execution." 36
Sec. 2. The first quality of execution is truth. 36
Sec. 3. The second, simplicity. 36
Sec. 4. The third, mystery. 37
Sec. 5. The fourth, inadequacy; and the fifth, decision. 37
Sec. 6. The sixth, velocity. 37
Sec. 7. Strangeness an illegitimate source of pleasure in execution. 37
Sec. 8. Yet even the legitimate sources of pleasure in execution are
inconsistent with each other. 38
Sec. 9. And fondness for ideas of power leads to the adoption