FREE BOOKS

Author's List




PREV.   NEXT  
|<   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105  
106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   >>   >|  
._ The man is honest. _Old Ath._ _Therefore he will be_, Timon. His honesty rewards him in itself." Warburton's comment--"If the man be honest, for that reason he will be so in this, and not endeavour at the injustice of gaining my daughter without my consent"--is, like almost all his comments, ingenious in blunder; he can never see any other writer's thoughts for the mist-working swarm of his own. The meaning of the first line the poet himself explains, or rather unfolds, in the second. "The man is honest!"--"True;--and for that very cause, and with no additional or extrinsic motive, he will be so. No man can be justly called honest, who is not so for honesty's sake, itself including its own reward." Note, that "honesty" in Shakespeare's age retained much of its old dignity, and that contradistinction of the _honestum_ from the _utile_, in which its very essence and definition consist. If it be _honestum_, it cannot depend on the _utile_. _Ib._ Speech of Apemantus, printed as prose in Theobald's edition:-- "So, so! aches contract, and starve your supple joints!" I may remark here the fineness of Shakespeare's sense of musical period, which would almost by itself have suggested (if the hundred positive proofs had not been extant) that the word "aches" was then _ad libitum_, a dissyllable--_aitches_. For read it "aches," in this sentence, and I would challenge you to find any period in Shakespeare's writings with the same musical or, rather dissonant, notation. Try the one, and then the other, by your ear, reading the sentence aloud, first with the word as a dissyllable and then as a monosyllable, and you will feel what I mean. _Ib._ sc. 2. Cupid's speech: Warburton's correction of-- "There taste, touch, all pleas'd from thy table rise"-- into "Th' ear, taste, touch, smell," &c. This is indeed an excellent emendation. Act ii. sc. 1. Senator's speech:-- ... "Nor then silenc'd with "Commend me to your master"--_and the cap_ _Plays in the right hand, thus_." Either, methinks, "plays" should be "play'd," or "and" should be changed to "while." I can certainly understand it as a parenthesis, an interadditive of scorn; but it does not sound to my ear as in Shakespeare's manner. _Ib._ sc. 2. Timon's speech (Theobald):-- "And that unaptness made _you_ minister, Thus to excuse yourself." Read _your_;--at least I cannot otherwise understand the line. You made my chance indisposition an
PREV.   NEXT  
|<   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105  
106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   >>   >|  



Top keywords:

honest

 
Shakespeare
 

speech

 

honesty

 

Warburton

 

Theobald

 

honestum

 

dissyllable

 
sentence
 
understand

musical

 

period

 
writings
 

notation

 

dissonant

 
reading
 

correction

 

challenge

 

monosyllable

 
manner

interadditive

 

parenthesis

 
changed
 

unaptness

 

chance

 

indisposition

 

minister

 

excuse

 
methinks
 
emendation

excellent

 

Senator

 

Either

 

silenc

 

Commend

 

master

 

starve

 

explains

 

unfolds

 

meaning


thoughts

 

working

 

justly

 
called
 

motive

 

extrinsic

 
additional
 
writer
 

comment

 

reason