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ounce distinctly. The words will thus be formed outside the mouth and be readily heard, as is a person talking in front of, instead of behind, a screen. A single, intelligent trial will be sufficient to show the correctness of the statement. Thinking of the upper lip as the fashioner of the words makes speaking easy and singing a delight. To smile while talking gives to the words a flat, silly sound, hence the corners of the mouth should be kept well forward. THE SINGER'S SCALE OF VOWEL SOUNDS [Illustration: 1 n_ee_ 2 n_i_t 3 n_e_t 4 n_a_y 5 n_ai_r 6 n_a_t 7 n_i_gh 8 N_a_h 7' n_o_t 6' n_a_w 5' n_e_r 4' n_u_t 3' n_o_ 2' n_oo_k 1' n_oo_.] It may fasten this in mind to remember that at one end of the vowel scale is--_me_, at the other--_you_. The teeth and lips are most closed at the extremes of this scale, and gradually open toward _ah_, with which vowel they are widest apart. In the series 1-8 the tongue is highest in the centre for _ee_ and gradually descends until it lies flat in the mouth for _ah_. The _upper_ pharynx is most closed in 1, most open in 8, and closes more and more in the descending series 7'-1'. The _lower_ pharynx gradually opens in the descending series 7'-1'. The researches of Helmholtz, Koenig, Willis, Wheatstone, Appunn, Bell, and others have shown that each vowel sound has its own characteristic pitch. The Scale of Vowel Sounds given above corresponds closely to the order of resonance pitch from the highest _ee_ to the lowest _oo_. In the natural resonance of the vowels _ee_ is highest in the head, _ah_ is midway in the scale, and _oo_ is lowest in resonance. LIP POSITION Figure 2 shows the best position of the lips to give the sound of _ee_. Hold the under jaw without stiffness and as far from the upper teeth as is consistent with delivery of the pure sound of this vowel. Figure 3 shows the best position of the lips to produce the vowel _oo_. Figure 4 shows the position of the lips for the vowel sound of long _o_. The opening of the lips should be made as round as is the letter _o_. When preparing the lips to give the sound of _o_, the inclination is strong to drop the lower jaw; in practice, to develop action of the lips, the under jaw would better be held quite immovable. It will be found possible to produce all of the vowel sounds without any change except in the form of the opening of the lips. The vowel sound of _i_ is an exception; for
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