t glorious
of her works; and when we load it with such a pile of supernumerary
ornaments, we destroy the symmetry of the human figure, and
foolishly contrive to call off the eye from great and real
beauties, to childish gewgaws, ribbands, and bone-lace."
But the popularity of "The Spectator" was not a little due to the
stronger and more daring genius of Steele. His writing, though not so
didactic, or so ripe in style, as that of Addison, was antithetical,
sparkling, and more calculated to "raise a horse."
The continuation of the periodical, which was carried on by others, was
not equally successful. In the earlier volumes we recognise Steele's
hand in the Essays on "Clubs." He gives us an amusing account of the
"Ugly Club," for which no one was eligible who had not "a visible
quearity in his aspect, or peculiar cast of countenance;" and of the
"Everlasting Club," which was to sit day and night from one end of the
year to another; no party presuming to rise till they were relieved by
those who were in course to succeed them.
"This club was instituted towards the end of the Civil Wars, and
continued without interruption till the time of the Great Fire,
which burnt them out and dispersed them for several weeks. The
steward at this time maintained his post till he had been like to
have been blown up with a neighbouring house (which was demolished
in order to stop the fire) and would not leave the chair at last,
till he had emptied all the bottles upon the table, and received
repeated directions from the Club to withdraw himself."
The following on "Castles in the Air" is interesting, as Steele himself
seems to have been addicted to raising such structures,--
"A castle-builder is even just what he pleases, and as such I have
grasped imaginary sceptres, and delivered uncontrollable edicts
from a throne to which conquered nations yielded obeisance. I have
made I know not how many inroads into France, and ravaged the very
heart of that kingdom; I have dined in the Louvre, and drunk
champagne at Versailles; and I would have you take notice I am not
only able to vanquish a people already 'cowed' and accustomed to
flight, but I could Almanzor-like, drive the British general from
the field, were I less a Protestant, or had ever been affronted by
the confederates. There is no art or profession whose most
celebr
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