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m at the Palace; another letter from one of the first noblemen in Portugal, entreating him to use his influence with the Prince Regent for the reversion of the decree of confiscation of some nobleman's estate; another from the Grand Prior of Aviz (in French). Mr. Beckford was treated as a grandee of the first rank in Germany; he showed me an autograph of the Emperor Joseph. Voltaire said to him, "Je dois tout a votre oncle, Count Anthony H. The Duchess was acknowledged in Paris by the Bourbon as Duchess de Chatelrault. On going to Court I saw her sitting next the Royal Family with the Duchess, whilst all the Court was standing. The Duchess has fine taste for the arts, quite as strong a feeling as I have. The Duke also is amazingly fond of the arts. The Marquis of D. has a spice of my character." The Claude looked more blooming and pearly than ever. I observed that I had never seen such a tone in any Claude in existence. I know many pictures which had that hue, but they have been so daubed and retouched that they are no longer the same. He showed me the Episodes. One begins, "Mes malheurs, O Caliphe sont encore plus grands que les votres, aussi bien que mes crimes, tu a ete trompe en ecoutant un navis malheureux; mais moi, pour me desobir d'une amitie la plus tendre, je suis precipite dans ce lieu d'horreur." The origin of Beckford's "Lives of Extraordinary Painters" was very odd. When he was fifteen years old the housekeeper came to him, and said she wished he would tell her something about the artists who painted his fine pictures, as visitors were always questioning her, and she did not know what to answer. "Oh, very well; I'll write down some particulars about them." He instantly composed "Lives of Extraordinary Painters." The housekeeper studied the manuscript attentively, and regaled her astonished visitors with the marvellous incidents it contained; however, finding many were sceptical, she came to her young master and told him people would not believe what she told them. "Not believe? Ah, that's because it is only in manuscript. Then we'll have it printed; they'll believe when they see it in print." He sent the manuscript to a London publisher, and inquired what the expense of printing it would be. The publisher read it with delight, and instantly offered the youthful author 50 pounds for the manuscript. The housekeeper was now able to silence all cavilers by producing the book itself. Ha
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