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ed by the salt water; you must try and restore the Lazarus.' I was shut up for two days, and painted the Lazarus." On my asking if he believed it true, Mr. Beckford replied, "Perfectly true, for I saw it lying on the floor and the figure of Lazarus was quite gone." "Then you don't value that picture much?" "All the rest is perfect, and I offered 12,000 pounds for that and four more. I saw in the Escurial the marriage of Isaac and Rebecca, now belonging to the Duke of Wellington. In fact, of all the pictures in the collection there is not more than one in ten that has escaped repainting. The picture given by H. Carr I cannot admire, the outline of the hill is so hard. It is just the picture Satan would show poor Claude, if he has him, which we charitably hope he has not." November 10th, 1838. How poor dear Mozart would be frightened (moralised Mr. Beckford) could he hear some of our modern music! My father was very fond of music, and invited Mozart to Fonthill. He was eight years old and I was six. It was rather ludicrous one child being the pupil of another. He went to Vienna, where he obtained vast celebrity, and wrote to me, saying, "Do you remember that march you composed which I kept so long? Well, I have just composed a new opera and I have introduced your air." "In what opera?" asked I. "Why in the 'Nozze di Figaro.'" "Is it possible, sir, and which then is your air?" "You shall hear it." Mr. Beckford opened a piano, and immediately began what I thought a sort of march, but soon I recognized "Non piu andrai." He struck the notes with energy and force, he sang a few words, and seemed to enter into the music with the greatest enthusiasm; his eye sparkled, and his countenance assumed an expression which I had never noticed before. Mr. Beckford showed me some very fine original drawings by Gaspar Poussin, exceedingly delicate. On the back a profile most exquisitely finished, another just begun, and another by his brother in admirable style, sketch of a peacock by Houdekoeta. "When I was in Portugal," said Mr. Beckford, "I had as much influence and power as if I had been the King. The Prince Regent acknowledged me in public as his relation (which indeed I was). I had the privilege of an entrance at all times, and could visit the Royal Family in ordinary dress. Of course, on grand occasions I wore Court costume." He showed me a letter from a rich banker in Lisbon, a man in great estee
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