and of fitting themselves more thoroughly
for their duties as twentieth century rulers. The present Emperor of
Russia, and his younger brother, the late Czarevitch George, likewise
started on a tour round the world, which in the case of George was cut
short at Bombay by that sickness to which he subsequently succumbed,
while the globe-trotting tour of Nicholas was brought to a sudden
close through his attempted assassination in Japan.

No pen-sketch of the young Crown Prince of Germany would be complete
without a reference to his remarkable skill as a violinist, an
instrument which he has been studying steadily ever since his eighth
year, under the direction of the Berlin court violinist Von Exner. He
seems to have inherited all the musical talent for which the reigning
house of Prussia is so celebrated, and to which I propose to devote at
least a part of the following chapter.

CHAPTER X

If it is observable that the taste, ear, and talent for music prevail
among the inhabitants of the mountain districts of the world far more
extensively than among the populations of the plains, it is no less
true that nearly all persons belonging to the exalted spheres of
life, for instance, emperors and kings and their consorts, as well as
princes and princesses of the blood, are not only passionately fond
of music, but frequently absolute melomaniacs. In none of the reigning
houses, however, is this particular branch of art developed to such
an extent as in the Hohenzollern family. Thus the collection of the
compositions for the flute by Frederick the Great discovered some ten
years ago in the lumber rooms of the "Neues Palais" at Potsdam, and
recently published after being edited by Professor Spitta, proves that
the royal patron of Voltaire, and the founder of Prussia's military
power was no mere dilettante, but a real genius in the art of
composition. Prince Louis Ferdinand, the son of Frederick the Great's
brother, who courted and met with a premature death at Saalfeld, while
rashly engaging the French enemy, against strict orders, showed, with
all his eccentricities, remarkable musical gifts, leaving in fact
behind him a variety of compositions for orchestras. He also wrote a
march which is published under his name.

Among the collection of marches constantly used in the Prussian army,
is one composed by Frederick-William III. in 1806, which occupies a
place between that of Frederick the Great, written in 1741, and