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V. and Napoleon III III. The Advance of the Pretenders--Historical Review IV. The Battle of Rheims V. The Battle of Tours VI. The English under Jenkins VII. The Leaguer of Paris VIII. The Battle of the Forts IX. Louis XVII COX'S DIARY. The Announcement First Rout A Day with the Surrey Hounds The Finishing Touch A New Drop-Scene at the Opera Striking a Balance Down at Beulah A Tournament Over-Boarded and Under-Lodged Notice to Quit Law Life Assurance Family Bustle NOVELS BY EMINENT HANDS. GEORGE DE BARNWELL BY SIR E. L. B. L., BART. VOL I. In the Morning of Life the Truthful wooed the Beautiful, and their offspring was Love. Like his Divine parents, He is eternal. He has his Mother's ravishing smile; his Father's steadfast eyes. He rises every day, fresh and glorious as the untired Sun-God. He is Eros, the ever young. Dark, dark were this world of ours had either Divinity left it--dark without the day-beams of the Latonian Charioteer, darker yet without the daedal Smile of the God of the Other Bow! Dost know him, reader? Old is he, Eros, the ever young. He and Time were children together. Chronos shall die, too; but Love is imperishable. Brightest of the Divinities, where hast thou not been sung? Other worships pass away; the idols for whom pyramids were raised lie in the desert crumbling and almost nameless; the Olympians are fled, their fanes no longer rise among the quivering olive-groves of Ilissus, or crown the emerald-islets of the amethyst Aegean! These are gone, but thou remainest. There is still a garland for thy temple, a heifer for thy stone. A heifer? Ah, many a darker sacrifice. Other blood is shed at thy altars, Remorseless One, and the Poet Priest who ministers at thy Shrine draws his auguries from the bleeding hearts of men! While Love hath no end, Can the Bard ever cease singing? In Kingly and Heroic ages, 'twas of Kings and Heroes that the Poet spake. But in these, our times, the Artisan hath his voice as well as the Monarch. The people To-Day is King, and we chronicle his woes, as They of old did the sacrifice of the princely Iphigenia, or the fate of the crowned Agamemnon. Is Odysseus less august in his rags than in his purple? Fate, Passion, Mystery, the Victim, the Avenger, the Hate that harms, the Furies that tear, the Love that bleeds, are not these with us Still? are not these still the weapons of the A
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