* *

But the modern cursive pencil-writing!--for you see that it is this
cursive writing that damns this folio,--what story does that tell?
What is its character? Who wrote it? Mr. Hamilton and Dr. Ingleby have
answered these questions by the publication of between twenty and thirty
fac-similes of this pencil-writing, consisting in only five instances of
more than a single word, letter, or mark. But these are undeniably the
work of a modern hand,--a hand of this century, as may be seen by the
following reproductions of two of the fac-similes:--

[Illustration: Handwriting sample.]

The upper one represents the stage-direction in ink, with its
accompanying pencil-memorandum, for an _aside_ speech in "King
John," Act II., Sc. 1,--doubtless that of Faulconbridge,--"O prudent
discipline," etc. This is reproduced from a fac-simile published by Dr.
Ingleby. Mr. Hamilton has given a fac-simile of the same words; but Dr.
Ingleby says that his is the more accurate. The lower memorandum is a
pencilled word, "_begging_" opposite the line in "Hamlet," Act III., Sc.
2, "And crook the pregnant hinges of the knee," to which there is no
corresponding word in ink. Both these words are manifestly not examples
of an ancient cursive hand, like those of which fac-similes are given
above, but of rapid pencil-writing of the present century. They fairly
represent the character of all the fac-similes of words in pencil, with
two exceptions, which Mr. Hamilton and Dr. Ingleby have published. But
the question as to their origin can be brought down to a narrower point.
For not only does competent testimony from London assure us that Mr.
Collier's handwriting and that of these pencil-memorandums is identical,
but, having some of that gentleman's writing in pencil by us, we are
able to see this identity for ourselves. We can discover not the
slightest room for doubt that a certain number of the pencil-guides for
the corrections upon the margins of this folio were written either by
Mr. Collier himself, or in the British Museum by some malicious
person who desired to inculpate him in a forgery. The reader who has
accompanied us thus far can have no doubt as to which alternative we
feel compelled to choose. The indications of the pencilled words
in modern cursive writing are strengthened by the short-hand
stage-direction in "Coriolanus," Act V., Sc. 2, "Struggles or instead
noise," in the characters of Palmer's system, which was promulgated