er book] Stop! You----
[CHRISTINE and HAROLD also rush past.]

DOT. [Despairingly] First pick! [Tearing her hair] Pigs! Devils!
[She rushes after them. BILL and MABEL are left alone.]

MABEL. [Mockingly] And don't you want one of the spaniel pups?

BILL. [Painfully reserved and sullen, and conscious of the workroom
door] Can't keep a dog in town. You can have one, if you like. The
breeding's all right.

MABEL. Sixth Pick?

BILL. The girls'll give you one of theirs. They only fancy they
want 'em.

Mann. [Moving nearer to him, with her hands clasped behind her] You
know, you remind me awfully of your father. Except that you're not
nearly so polite. I don't understand you English-lords of the soil.
The way you have of disposing of your females. [With a sudden change
of voice] What was the matter with you last night? [Softly] Won't
you tell me?

BILL. Nothing to tell.

MABEL. Ah! no, Mr. Bill.

BILL. [Almost succumbing to her voice--then sullenly] Worried, I
suppose.

MABEL. [Returning to her mocking] Quite got over it?

BILL. Don't chaff me, please.

MABEL. You really are rather formidable.

BILL. Thanks.

MABEL, But, you know, I love to cross a field where there's a bull.

BILL. Really! Very interesting.

MABEL. The way of their only seeing one thing at a time. [She moves
back as he advances] And overturning people on the journey.

BILL. Hadn't you better be a little careful?

MABEL. And never to see the hedge until they're stuck in it. And
then straight from that hedge into the opposite one.

BILL. [Savagely] What makes you bait me this morning of all
mornings?

MABEL. The beautiful morning! [Suddenly] It must be dull for poor
Freda working in there with all this fun going on?

BILL. [Glancing at the door] Fun you call it?

MABEL, To go back to you,--now--Mr. Cheshire.

BILL. No.

MABEL, You always make me feel so Irish. Is it because you're so
English, d'you think? Ah! I can see him moving his ears. Now he's
pawing the ground--He's started!

BILL. Miss Lanfarne!

MABEL. [Still backing away from him, and drawing him on with her
eyes and smile] You can't help coming after me! [Then with a sudden
change to a sort of sierra gravity] Can you? You'll feel that when
I've gone.

They stand quite still, looking into each other's eyes and
FREDA, who has opened the door of the workroom stares at them.

MABEL. [Seeing