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contrasted with Haverstock Hill, was wonderful. And to Evanthia, the victim of sudden little spurts of girlish posing, pathetic strivings after an imaginary western self, the invalid woman was a sympathetic angel. She never laughed when Evanthia pretended an absurd lofty patriotism or inaugurated a season of ridiculous religious observances, dressing in white and holding a crucifix to her breast. She did not deride Evanthia's remarkable travesty of English dress, or Evanthia's embarrassing concoctions in the kitchen. These gusts of enthusiasm died out, and the real Evanthia emerged again, a velvet-soft being of sex and sinuous delicacy, of no country and no creed, at home in the world, a thing of indestructible loveliness and problematic utility. And now, while Mr. Spokesly stood at his window gently rubbing his chin and looking down into the dew-drenched garden, Evanthia was lying in another room, smoking a cigarette and meditating. She had a very astute and clearly defined plan in her mind, and she lay thinking how it could be carried out. Unhampered by so many of our modern educational distractions and complexes, her mental processes would have exacted the admiration of the London School of Mnemonics. The apparent impossibility of leaving Saloniki and reaching Constantinople meant nothing at all to her. It had always been an almost impossible task to go anywhere if one were a woman. Women, in her experience, were like expensive automobiles. They were always owned by somebody, who drove them about and sometimes ill-treated them and even rode them to destruction, and who lost them if they were not carefully guarded. Moreover, the parallel, in her experience, went farther, because she observed that nobody ever thought less of them because they were costly to run. Evanthia was now like an ownerless machine of which no one perceived the value or knew how to start. She had been getting accustomed to the notion that independence had its pleasures and defects. She lay thinking with quiet efficiency, until her cigarette was burned down, and then suddenly sprang out of bed. With extraordinary speed and quietness, she rolled up her great masses of black hair, slipped into a yellow kimono and Turkish slippers, and went downstairs. The contrast between her pose, with nothing save the slow curl of smoke coming from the deep pillow to show she was alive, and the sharp vitality of her movements in the kitchen, was characteristic. S
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