nna

Detail of Canopy of Tomb of Gervaise-Alard, Winchelsea f071

Walberswick Church: West Door f072

Miserere in St. David's Cathedral f073

Recessed Panel from the Tomb of Bishop John Morgan, St. f074
David's Cathedral

Corbel from Bishop Vaughan's Chapel, St. David's Cathedral f075

Gothic Tile Pattern, St. David's Cathedral f076

Surface Pattern Motives derived from Lines of Structure f077a

Repeating Patterns built upon Square and Circular Bases f077b

Plan of a Drop Repeat f078

Sketch Designs to show Relation between Frieze and Field in f079
Wall-paper

Principles of Structural and Ornamental Line in Natural f080
Forms

Radiating, Recurring and Counterbalancing Lines in the f081a
Structure of the Skeleton and the Muscles

General Principles of Line and Form in the Branching and f081b
Foliage Masses of Trees

Principles of Structure in Foliage Masses f082

Albert Durer: Detail from "The Prodigal Son" f083

Albert Durer: St. Anthony f084

Roof-lines: Rothenburg f085

St. Margaret Street, Canterbury f086

Figure Designs controlled by Geometric Boundaries f087, f088

Expression of Storm and Calm in Landscape f089

Expression of Repose and Action f090

Controlling Lines of Movement: Movement in a Procession f091a

Lines left by a Watercourse--Lines governing fallen Debris f091b
from a Quarry

Relief of Form, (1) by Outline, (2) by Contrast, (3) by f092
Light and Shade

Relief of Form and Line in Pattern Design by means of f093
Contrast and the Use of Planes

Treatment of Mantling (14th-16th centuries) f094a, f094b

Brass of Martin de Visch, Bruges, 1452 f095

Relief in Pattern Design by means of Simple Linear Contrasts f096a

Relief by adding Shading Lines to Outline f097a

Relief by Diagonal Shad