ing f097b

Different Method and different Emphasis in Relieving Form by f098
Shading Lines

Albert Durer's Principle in the Treatment of Drapery: From f099
the Woodcut in the "Life of the Virgin" Series

Albert Durer: Pen-drawing f100

Filippino Lippi: Study of Drapery f101

Raphael: Studies of Drapery f102

Relief by means of Light and Shade alone, in Pen-drawing f103a
without Outline

Relief by means of White Line on a Dark Ground and _vice f103b
versa_

Relief in Architectural Mouldings f104

Roman Treatment of Corinthian Order, Forum of Nerva, Rome f105

Egyptian Relief Sculpture: Thebes f106

Greek Relief: Eleusis f107

Egyptian Relief: Denderah f107

Chartres Cathedral: Carving on West Front f108

Chartres Cathedral: Tympanum of Central Door of West Front
f109

Medals of the Lords of Mantua, Cesena, and Ferrara, by f110
Vittore Pisano

Treatment of Draped Figure in Black on White Ground and f111a
_vice versa_

Treatment of the same Figure in Light and Shade f111b

The Graphic Principle of the Expression of Form by Light and f112
Shade; with and without Outline

Linear Expression of Features, Feathers and Fur: Notes from f113
Nature

Sketches to illustrate the Graphic and the Decorative f114
Treatment of Draped Figures

Decorative Treatment of Birds f115

Floral Designs upon Typical Inclosing Shapes of Indian and f116
Persian Ornament

Dancing Figure with the Governing Lines of the Movement f117a

Lines of Floral Growth and Structure: Lily and Rose f117b

Coast-lines, Gulf of Nauplia f118a

Lines of Movement in Water, Shallow Stream over Sand f118b

Giotto: Chastity (Lower Church, Assisi) f119

Pinturicchio: Mural Painting (Picc