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d crannies of the old house. Something depressing, repellent, was in the air. My sense of joy, my feeling of comfort in its seclusion were gone. "Never again will this be a restful home for you or for me," I declared to my daughter. "Its shadow is now an enemy, its isolation a menace." To my wife I said, "Let us go back to the city where the highest type of medical science is at the end of the telephone wire." She consented, and taking the child in my arms, I left the village with no intention of ever returning to it. The fire on my family altar seemed dead, never again to be rekindled. CHAPTER TWENTY-TWO The Old Soldier Gains a New Granddaughter For nearly two years I did not even see the Homestead. My aversion to it remained almost a hatred. The memory of those desolate weeks of quarantine when my little daughter suffered all the agonies of death, still lingered over its walls, a poisonous shadow which time alone could remove. "I shall never live in it again," I repeated to my friends, and when some one wanted to rent it for the summer I consented--with a twinge of pain I must confess, for to open it to strangers even for a few weeks seemed an act of disloyalty to the memory of my mother. Meanwhile I remained a moderately happy and very busy citizen of Chicago. Not content with esthetic conditions and in the belief that my home for years to come must be somewhere in the city's confines, I had resolved to establish a Club which should be (like the Players in New York) a meeting place for artists and writers, a rallying point for Midland Arts. Feeling very keenly the lack of such a rendezvous I said to Lorado, "I believe the time has come when a successful literary and artistic club can be established and maintained." The more I pondered on the situation, the greater the discrepancy between the Chicago of my day and the Boston of my father's day became. "Why was it that the Boston of 1860, a city of three hundred thousand people, should have been so productive of great writers, while this vast inland metropolis of over two million of people remains almost negligible in the world of Art and Letters?" Fuller, who refused, characteristically, to endorse my plan, was openly discouraging. To him the town was a pestilential slough in which he, at any rate, was inextricably mired, and though he was not quite so definite with me, he said to others, "Garland's idea is sure to fail." Clarkson, Browne an
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