FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   >>  
riants. Even in Dr. 9c, where the deity is represented as feminine, there are no variations which might denote the change of sex. The hieroglyphs consist chiefly of the head of a corpse with closed eyes, and of a skull. The design in front of the skull in Figs. 2 and 4 and under it in Fig. 3 is a sacrificial knife of flint, which was used in slaying the sacrifices, and is also frequently pictured in the Aztec manuscripts. The dots under Fig. 1 are probably intended to represent blood. The death-god is represented with extraordinary frequency in all the Maya manuscripts. Not only does the figure of the god itself occur, but his attributes are found in many places where his picture is missing. Death evidently had an important significance in the mythologic conceptions of the Mayas. It is connected with sacrifice, especially with human sacrifices performed in connection with the captive enemy. Just as we find a personification of death in the manuscripts of the Mayas, we also find it in the picture-writings of the ancient Mexicans, often surprisingly like the pictures of the Maya codices. The Aztec death-god and his myth are known through the accounts of Spanish writers; regarding the death-god of the Mayas we have less accurate information. Some mention occurs in Landa's Relacion de las cosas de Yucatan, Sec. XXIII, but unfortunately nothing is said of the manner of representing the death-god. He seems to be related to the Aztec Mictlantecutli, of whom Sahagun, Appendix to Book III, "De los que iban al infierno y de sus obsequias," treats as the god of the dead and of the underworld, Mictlan. When the representations of the latter, for example in the Codex Borgia, and in the Codex Vaticanus No. 3773, are compared with those of the Maya manuscripts, there can be hardly a doubt of the correspondence of the two god figures. In the Codex Borgia, p. 37, he is represented once with the same characteristic head ornament, which the death-god usually wears in the Maya manuscripts, and in the Codex Fejervary, p. 8, the death-god wears a kind of breeches on which cross-bones are depicted, exactly as in Dr. 9 (bottom). Bishop Landa informs us that the Mayas "had great and immoderate dread of death." This explains the frequency of the representations of the death-god, from whom, as Landa states, "all evil and especially death" emanated. Among the Aztecs we find a male and a female death-deity, Mictlantecutli and Mictlancihuatl. They
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30  
31   32   33   34   35   36   37   38   39   40   41   42   43   >>  



Top keywords:

manuscripts

 

represented

 

frequency

 

representations

 

Borgia

 

picture

 

sacrifices

 

Mictlantecutli

 

representing

 

manner


Vaticanus
 

Yucatan

 

Mictlan

 
treats
 

Appendix

 

Sahagun

 

obsequias

 

female

 
infierno
 

related


underworld

 

correspondence

 
bottom
 

Bishop

 

informs

 
depicted
 

Mictlancihuatl

 

explains

 

states

 

Aztecs


immoderate
 

breeches

 
figures
 
emanated
 

compared

 

ornament

 

Fejervary

 

characteristic

 

pictured

 

frequently


slaying
 

intended

 

represent

 

figure

 
attributes
 

extraordinary

 

sacrificial

 

denote

 

change

 
variations