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here are "RUBENS' peecture--moch fine," and plainly proposes to conduct me thither. Mustn't hurt his feelings again--so accept. Boy clumps on ahead, down alleys, and through back-streets, and round corners, looking round severely at intervals to see that I am not giving him the slip. Nice friendly little fellow--but despotic. Don't seem to be much nearer; "Sin Yack" evidently a saint of retiring disposition.... At last. Boy points him out triumphantly. Thank him, with apologies for taking him so much out of his way. Boy demands two francs. Hint, as delicately as possible, that I consider this estimate of the value of his time and society somewhat high. Boy peremptory. Give him fifty centimes. Boy abusive; follows me with uncomplimentary remarks. I can _not_ go about Antwerp all day with a hostile boy harassing my rear like this! So undignified. However, shall find sanctuary with "Sin Yack." Every door closed. Boy at a distance--chuckling, I am afraid. Shall walk on--not _hurrying_, but briskly. Boy gone at last--thank goodness!--with Parthian yelp of "Rosbif!" [Illustration: "Rosbif!"] _In the Cathedral._--Being shown round by Sacristan, in company with two respectable young Britons. "You shee dot oltarbiece, gentlemens," says Sacristan, "paint by RUBENS, in seexteen day, for seexteen hondert florin." Whereupon both Britons make a kind of "cluck" with their tongues. "Dat vos von hondert florin efery day he vas paint," explains the Sacristan. Britons do this division sum in their heads, check it as correct, and evidently feel increased respect for RUBENS as capable-for an artist--of driving a good bargain. "RUBENS baint him ven he vas seexteen," which younger Briton considers "very _creditable_ to him, too!" They inspect the High Altar, with more clucks, and inform one another, with the air of Protestants who are above prejudice, that it's a marvellous piece o' _work_, though, mind yer! Sacristan points out holes underneath choir-stalls. "De organ is blay over dere, and de mooshique he com out hier troo de 'oles, so all be beoples vas vender vere de schounds com from!" First Briton remarks to me that "That's a rum start, and no mistake." I agree that it _is_ a rum start. I shall find myself clucking presently, I know! "Haf you scheen yed de bortraits of GLATSHTONE and Lort BAGONSFELDT?" Sacristan asks us "... 'No?' then I show you." He leads us up to the finial of one of the stalls, which is carved in the figure of a
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