support of the English Constitution, and
which, with Gifford for ed., had many of the most eminent men of the day
as contributors. C. wrote the _Needy Knife-grinder_, _The Loves of the
Triangles_, parts II. and III., a parody on E. Darwin's _Loves of the
Plants_, _The Progress of Man_, etc. His _coll._ _Poems_ were _pub._
1823.

CAPGRAVE, JOHN (1393-1464).--Historian and theologian, _b._ at Lynn,
became an Augustinian Friar, and at length Provincial of the Order in
England. He studied probably at Camb., visited Rome, and was a client of
Humphrey, Duke of Gloucester, whose life he wrote. He was the author of
numerous theological and historical works, some of which are of
considerable importance, including in Latin, _Nova Legenda Angliae_, _De
Illustribus Henricis_: lives of German Emperors, English Kings, etc., of
the name of Henry, and in English, monotonous and dull, lives of St.
Gilbert and St. Katharine, and a _Chronicle_ reaching to 1417.

CAREW, RICHARD (1555-1620).--Translator and antiquary, a county gentleman
of Cornwall, _ed._ at Oxf., made a translation of the first five cantos
of Tasso's _Jerusalem Delivered_ (1594), more correct than that of
Fairfax. Other works were _A Survey of Cornwall_ (1602), and an _Epistle
concerning the Excellencies of the English Tongue_ (1605).

CAREW, THOMAS (1594?-1639).--Poet, _s._ of Sir Matthew C., was _ed._ at
Oxf., entered the Middle Temple, and was one of the first and best of the
courtly poets who wrote gracefully on light themes of Court life and
gallantry. C.'s poems have often much beauty and even tenderness. His
chief work is _Coelum Britannicum_. He lived the easy and careless life
of a courtier of the day, but is said to have _d._ in a repentant frame.
His poems, consisting chiefly of short lyrics, were _coll._ and _pub._
after his death. One of the most beautiful and best known of his songs is
that beginning "He that loves a rosy cheek."

CAREY, HENRY (_d._ 1743).--Dramatist and song-writer, was believed to be
an illegitimate _s._ of George Savile, Marquis of Halifax. He wrote
innumerable burlesques, farces, songs, etc., often with his own music,
including _Chrononhotonthologos_ (1734), a burlesque on the mouthing
plays of the day, and _The Dragon of Wantley_ (1744?). His poem, _Namby
Pamby_, in ridicule of Ambrose Phillips (_q.v._), added a word to the
language, and his _Sally in our Alley_ is one of our best-known songs.
_God Save the King_ was also cla