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The Project Gutenberg eBook, Tales of Old Japan, by Algernon Bertram Freeman-Mitford This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Tales of Old Japan Author: Algernon Bertram Freeman-Mitford Release Date: July 24, 2004 [eBook #13015] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK TALES OF OLD JAPAN*** E-text prepared by Jonathan Ingram, Sandra Brown, and the Project Gutenberg Online Distributed Proofreading Team Note: The author, Algernon Bertram Freeman-Mitford (1837-1916), Lord Redesdale, was in the British Foreign Service as a young man. He was assigned to the legation in Japan for several years and acquired a life-long fascination with Japanese culture. This book has been a standard source of information about Japanese folklore and customs since its original publication in 1871 and has been in print ever since. Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 13015-h.htm or 13015-h.zip: (http://www.gutenberg.net/1/3/0/1/13015/13015-h/13015-h.htm) or (http://www.gutenberg.net/1/3/0/1/13015/13015-h.zip) TALES OF OLD JAPAN by LORD REDESDALE, G.C.V.O., K.C.B. Formerly Second Secretary to the British Legation in Japan With Illustrations Drawn and Cut on Wood by Japanese Artists 1910 [Illustration: THE RONINS INVITE KOTSUKE NO SUKE TO PERFORM HARA-KIRI.] PREFACE In the Introduction to the story of the Forty-seven Ronins, I have said almost as much as is needful by way of preface to my stories. Those of my readers who are most capable of pointing out the many shortcomings and faults of my work, will also be the most indulgent towards me; for any one who has been in Japan, and studied Japanese, knows the great difficulties by which the learner is beset. For the illustrations, at least, I feel that I need make no apology. Drawn, in the first instance, by one Odake, an artist in my employ, they were cut on wood by a famous wood-engraver at Yedo, and are therefore genuine specimens of Japanese art. Messrs. Dalziel, on examining the wood blocks, pointe
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