check
we have received, we believe we may safely promise to prevent these
Renneponts from injuring the Society, and to restore the two hundred and
twelve millions to their legitimate possessors. We only ask for the most
complete and extensive powers."

A quarter of an hour after this scene, Rodin left Saint Dizier House,
brushing with his sleeve the old greasy hat, I which he had pulled off to
return the salute of the porter by a very low bow.

CHAPTER XXVIII.

THE STRANGER.

The following scene took place on the morrow of the day in which Father
d'Aigrigny had been so rudely degraded by Rodin to the subaltern position
formerly occupied by the socius.

It is well known that the Rue Clovis is one of the most solitary streets
in the Montagne St. Genevieve district. At the epoch of this narrative,
the house No. 4, in this street, was composed of one principal building,
through which ran a dark passage, leading to a little, gloomy court, at
the end of which was a second building, in a singularly miserable and
dilapidated condition. On the ground-floor, in front of the house, was a
half-subterraneous shop, in which was sold charcoal, fagots, vegetables,
and milk. Nine o'clock in the morning had just struck. The mistress of
the shop, one Mother Arsene, an old woman of a mild, sickly countenance,
clad in a brown stuff dress, with a red bandanna round her head, was
mounted on the top step of the stairs which led down to her door, and was
employed in setting out her goods--that is, on one side of her door she
placed a tin milk-can, and on the other some bunches of stale vegetables,
flanked with yellowed cabbages. At the bottom of the steps, in the
shadowy depths of the cellar, one could see the light of the burning
charcoal in a little stove. This shop situated at the side of the
passage, served as a porter's lodge, and the old woman acted as portress.
On a sudden, a pretty little creature, coming from the house, entered
lightly and merrily the shop. This young girl was Rose-Pompon, the
intimate friend of the Bacchanal Queen.--Rose-Pompon, a widow for the
moment, whose bacchanalian cicisbeo was Ninny Moulin, the orthodox
scapegrace, who, on occasion, after drinking his fill, could transform
himself into Jacques Dumoulin, the religious writer, and pass gayly from
dishevelled dances to ultramontane polemics, from Storm-blown Tulips to
Catholic pamphlets.

Rose-Pompon had just quitted her bed, as appeared by the neglig