sappointments. A twinge of the old hopeless heartache comes over
me sometimes still, when I think of my student days.

One peculiarity of my present way of life is, that it brings me into
contact with all sorts of characters. I almost feel, by this time, as if
I had painted every civilized variety of the human race. Upon the whole,
my experience of the world, rough as it has been, has not taught me to
think unkindly of my fellow-creatures. I have certainly received such
treatment at the hands of some of my sitters as I could not describe
without saddening and shocking any kind-hearted reader; but, taking one
year and one place with another, I have cause to remember with gratitude
and respect--sometimes even with friendship and affection--a very large
proportion of the numerous persons who have employed me.

Some of the results of my experience are curious in a moral point of
view. For example, I have found women almost uniformly less delicate in
asking me about my terms, and less generous in remunerating me for my
services, than men. On the other hand, men, within my knowledge, are
decidedly vainer of their personal attractions, and more vexatiously
anxious to have them done full justice to on canvas, than women. Taking
both sexes together, I have found young people, for the most part, more
gentle, more reasonable, and more considerate than old. And, summing up,
in a general way, my experience of different ranks (which extends, let
me premise, all the way down from peers to publicans), I have met
with most of my formal and ungracious receptions among rich people of
uncertain social standing: the highest classes and the lowest among my
employers almost always contrive--in widely different ways, of course,
to make me feel at home as soon as I enter their houses.

The one great obstacle that I have to contend against in the practice
of my profession is not, as some persons may imagine, the difficulty
of making my sitters keep their heads still while I paint them, but
the difficulty of getting them to preserve the natural look and the
every-day peculiarities of dress and manner. People will assume
an expression, will brush up their hair, will correct any little
characteristic carelessness in their apparel--will, in short, when they
want to have their likenesses taken, look as if they were sitting for
their pictures. If I paint them, under these artificial circumstances,
I fail of course to present them in their habitual as