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rgin. Yours, etc., G. WALTON. Horace Walpole, in one of his papers in "The World," praises the following letter, written by Lady Pembroke in the reign of Charles II. I quote from memory, but think that Lady Pembroke wrote to Lord Arlington, who had insisted on her allowing Sir Joseph Williamson to be returned member for her borough of Appleby: SIR--I have been bullied by a usurper, I have been neglected by a court, but I will not be dictated to by a subject. Your man sha'n't stand. ANNE PEMBROKE. I have some memory of a story that some person wrote to the first Duke of Wellington, threatening to publish certain letters of his, and that he replied: DEAR JULIA--Publish and be damned. Yours, WELLINGTON. When Lord John Russell announced the breaking up of Earl Grey's cabinet on May 27, 1834, Mr. Stanley, colonial secretary, wrote the following to Sir James Graham, first lord of the Admiralty: MY DEAR G.--Johnny has upset the coach. Yours, etc. Sir Walter Scott said that the most pointed letter he knew was the answer of Lord Macdonald to the head of the Glengarry family: MY DEAR GLENGARRY--As soon as you can prove yourself to be _my chief_, I shall be ready to acknowledge you; in the meantime, I am _yours_, MACDONALD. The following is quoted as Francis Jeffrey's wicked reply to a begging letter: Sir--I have received your letter of 6th inst., soliciting a contribution in behalf of the funds of ----. I have very great pleasure in subscribing [with this word the writer contrived to end the first page, and then continued overleaf] myself, Yours faithfully, FRANCIS JEFFREY. A certain lady having written to Talleyrand informing him of the death of her husband, he replied: DEAR MARQUISE--Alas! Your devoted TALLEYRAND. At a later date the same lady wrote telling him of her approaching marriage. To this he replied: DEAR MARQUISE--Ho, ho! Your devoted TALLEYRAND. BRAHMA. THE SUBTLE VERSES IN WHICH EMERSON GAVE EXPRESSION TO THE MYSTICISM INVESTING HINDU RELIGION AND PHILOSOPHY. The four stanzas composing Emerson's poem "Brahma" afford perhaps in the smallest compass the best example of the Concord philosopher's subtle mode of expression with a meaning so elusive as to require careful thought on the reader's part to render it intelligible. There is a pleasing vagueness which the music of the lines i
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