lpless poor," "untutored mind," "honest necessity," and half a dozen
other stand-bys of the second-rate newspaper reporter. In "Sister
Carrie" one finds "high noon," "hurrying throng," "unassuming
restaurant," "dainty slippers," "high-strung nature," and "cool,
calculating world"--all on a few pages. Carrie's sister, Minnie Hanson,
"gets" the supper. Hanson himself is "wrapped up" in his child. Carrie
decides to enter Storm and King's office, "no matter what." In "The
Titan" the word "trig" is worked to death; it takes on, toward the end,
the character of a banal and preposterous refrain. In the other books
one encounters mates for it--words made to do duty in as many senses as
the American verb "to fix" or the journalistic "to secure."...
I often wonder if Dreiser gets anything properly describable as pleasure
out of this dogged accumulation of threadbare, undistinguished,
uninspiring nouns, adjectives, verbs, adverbs, pronouns, participles and
conjunctions. To the man with an ear for verbal delicacies--the man who
searches painfully for the perfect word, and puts the way of saying a
thing above the thing said--there is in writing the constant joy of
sudden discovery, of happy accident. A phrase springs up full blown,
sweet and caressing. But what joy can there be in rolling up sentences
that have no more life and beauty in them, intrinsically, than so many
election bulletins? Where is the thrill in the manufacture of such a
paragraph as that in which Mrs. Althea Jones' sordid habitat is
described with such inexorable particularity? Or in the laborious
confection of such stuff as this, from Book I, Chapter IV, of "The
'Genius'"?:
The city of Chicago--who shall portray it! This vast ruck of life
that had sprung suddenly into existence upon the dank marshes of a
lake shore!
Or this from the epilogue to "The Financier":
There is a certain fish whose scientific name is _Mycteroperca
Bonaci_, and whose common name is Black Grouper, which is of
considerable value as an afterthought in this connection, and which
deserves much to be better known. It is a healthy creature, growing
quite regularly to a weight of two hundred and fifty pounds, and
living a comfortable, lengthy existence because of its very
remarkable ability to adapt itself to conditions....
Or this from his pamphlet, "Life, Art and America":[19]
Alas, alas! for art in America. It has a h
|