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American letters, Walter H. Page, of Doubleday, Page & Co., was made ambassador to England, where "Sister Carrie" is regarded (according to the Harpers), as "the best story, on the whole, that has yet come out of America." A curious series of episodes. Another proof, perhaps, of that cosmic imbecility upon which Dreiser is so fond of discoursing.... But of all this I shall say more later on, when I come to discuss the critical reception of the Dreiser novels, and the efforts made by the New York Society for the Suppression of Vice to stop their sale. The thing to notice here is that the author's difficulties with "Sister Carrie" came within an ace of turning him from novel-writing completely. Stray copies of the suppressed first edition, true enough, fell into the hands of critics who saw the story's value, and during the first year or two of the century it enjoyed a sort of esoteric vogue, and encouragement came from unexpected sources. Moreover, a somewhat bowdlerized English edition, published by William Heinemann in 1901, made a fair success, and even provoked a certain mild controversy. But the author's income from the book remained almost _nil_, and so he was forced to seek a livelihood in other directions. His history during the next ten years belongs to the tragicomedy of letters. For five of them he was a Grub Street hack, turning his hand to any literary job that offered. He wrote short stories for the popular magazines, or special articles, or poems, according as their needs varied. He concocted fabulous tales for the illustrated supplements of the Sunday newspapers. He rewrote the bad stuff of other men. He returned to reporting. He did odd pieces of editing. He tried his hand at one-act plays. He even ventured upon advertisement writing. And all the while, the best that he could get out of his industry was a meagre living. In 1905, tiring of the uncertainties of this life, he accepted a post on the staff of Street & Smith, the millionaire publishers of cheap magazines, servant-girl romances and dime-novels, and here, in the very slums of letters, he laboured with tongue in cheek until the next year. The tale of his duties will fill, I daresay, a volume or two in the autobiography on which he is said to be working; it is a chronicle full of achieved impossibilities. One of his jobs, for example, was to reduce a whole series of dime-novels, each 60,000 words in length, to 30,000 words apiece. He accomplish
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