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ay was bright. There was the blue sky--the green hill--the geese in the surrounding water. 'In every form of the thing _my dream_ made true and good.' The distance of this spot from the house of my birth was rather a long walk for a child so young; and, therefore, I suppose I might only once or twice have seen it, and then only in the summer, or in bright weather. I have said that that dream, whenever it recurred, always impressed me with an indefinite sense of pleasure; was not this feeling an echo, a redolence, of the happy, lively sensations with which, as a child, I had first witnessed the scene? It is singular that, remembering so many objects much less likely to have fixed themselves on the memory, I should have so utterly forgotten, in my waking hours, the real existence of that of which my dream had so faithfully Daguerreotyped; and it is not less remarkable that I have never had the dream since I recognised its original. I think I can account for this, but will not now attempt it, as the length of my epistle may probably have put you in a fair way of having dreams of your own.--Ever faithfully yours. "C. S." This last dream of our friend exhibits one of the phenomena of memory, which may not be unconnected with another, curious, and I suppose common. Did you never feel a sense of a reduplication of any passing occurrence, act, or scene--something which you were saying or doing, or in which you were actor or spectator? Did you never, while the occurrence was taking place, suddenly feel a consciousness of its pre-existence and pre-acting; that the whole had passed before, just as it was then passing, even to the details of place, persons, words, and circumstances, and this not in events of importance, but mostly in those of no importance whatever; as if life and all its phenomena were a duplicate in itself, and that that which is acting here, were at the same time acting also elsewhere, and the fact were suddenly revealed to you? I call this one of the phenomena of memory, because it may possibly be accounted for by the repercussion of a nerve, an organ, which, like the string of an instrument unequally struck, will double the sound. Vibrations of memory--vibrations of imagination are curious things upon which to speculate; but not now, Eusebius--you must work this out yourself. What a curious story is that of Pan.[38] "Pan is dead,"--g
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