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"the whole Universe is the Garment of God." This brings us back to the song of the _Erdgeist_ in Goethe's _Faust_:-- "In Being's floods, in Action's storm, I walk and work, above, beneath, Work and weave in endless motion! Birth and Death, An infinite ocean; A seizing and giving The fire of Living: 'Tis thus at the roaring Loom of Time I ply, And weave for God the Garment thou seest Him by." This is, of course, no novelty invented by Goethe. We find it in Marius the Epicurean, and he found it in ancient wells of Greek philosophy. Carlyle's use of it has often been taken for Pantheism. In so mystic a region it is impossible to expect precise theological definition, and yet it is right to remember that Carlyle does not identify the garment with its Wearer. The whole argument of the book is to distinguish appearance from reality in every instance, and this is no exception. "What is Nature? Ha! why do I not name thee God? Art thou not the 'living garment of God'? O Heavens, is it in very deed He, then, that ever speaks through thee? that lives and loves in thee, that lives and loves in me?... The Universe is not dead and demoniacal, a charnel-house with spectres: but godlike and my Father's." "This fair Universe, were it in the meanest province thereof, is in very deed the star-domed City of God; through every star, through every grass-blade, and most through every Living Soul, the glory of a present God still beams. But Nature, which is the Time-vesture of God, and reveals Him to the wise, hides Him from the foolish." Such is some very broken sketch of this great book. It will at least serve to recall to the memory of some readers thoughts and words which long ago stirred their blood in youth. No volume could so fitly be chosen as a background against which to view the modern surge of the age-long battle. But the charm of _Sartor Resartus_ is, after all, personal. We go back to the life-story of Teufelsdroeckh, out of which such varied and such lofty teachings sprang, and we read it over and over again because we find in it so much that is our own story too. LECTURE VIII PAGAN REACTIONS In the last lecture we began the study of the modern aspects of our subject with Carlyle's _Sartor Resartus_. Now, in a rapid sketch, we shall look at some of the writings which followed that great book; and, with it as background, we shall
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