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2] Punch, No. 11 page 131. When a playwright produces a plot whose incidents are just within the possibilities, and far beyond the probabilities, of this life, it is said to be "ingenious," because of the crowd of circumstances that are huddled into each scene. According to this acceptation, the "Wrong Man" would be a highly ingenious farce; if that may be called a farce from which the remotest semblance of facetiae is scrupulously excluded. Proceed we, therefore, to an analysis of the fable with becoming gravity. At the outset we are introduced to a maiden lady in (_horresco referens!_) her private apartment; but to save scandal, the introduction is not made without company--there is also her maid. _Patty Smart_, although not a new servant, has chosen that precise moment to inform her mistress concerning the exact situation of her private circumstances, and the precise state of her heart. She is in love: it is for _Simon Tack_ that the flame is kept alive; he, a dapper upholder, upholds her affections. At this point, a triangular note is produced, which plainly foretells a dishonourable rival. You are not deceived; it proposes an assignation in that elysium of bachelors and precipice of destruction for young ladies, the Albany. Wonderful to relate, it is from _Miss Thomasina Fringe's_ nephew, _Sir Bryan Beausex_. The maiden dame is inconceivably shocked; and to show her detestation of this indelicate proposal, agrees to personate _Patty_ and keep the appointment herself, for the pleasure of inflicting on her nephew a heap of mortification and a moral lecture. _Mr. Tack_ is the next appearance: being an upholsterer, of course he has the run of the house, so it is not at all odd to find him in a maiden lady's boudoir; the more especially as he enters from behind his natural element--the window curtains. It is astonishing with what pertinacity the characters in most farces will bore one with their private affairs when they first appear! In this respect _Sir Bryan Beausex_, in the next scene, is quite as bad as _Patty_ was in the former one. He seems to have invited four unoffending victims to dine at his chambers in the Albany, on purpose to inform them that in his youth he was betrothed to a girl whom he has never since seen; but what that has to do with telling his guests to be off, because he expects a charming little lady's-maid at six, his companions are doubtless puzzled to understand. One of them, however, is _
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