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comes of _Beausex_ and his aunt the sibilants forbad our knowing. We suppose, by Mr. Bartley's pantomime, that _Sir Bryan_ puts up with his hoax and his lady-loss with a good grace; for he flourished about his never-absent pocket-handkerchief with one hand, shook hands with _Miss Fringe_ with the other, stepped forward, did some more dumb show to the dissentients, and, with the rest of the actors, bowed down the curtain. We perceive by the Times that the author of the "Wrong Man" is not so very culpable after all. He is guiltless of the plot; that being taken from a French piece called "Le Tapissier." * * * * * THE MASONS AND THE STONE JUG. Mr. Wakley feelingly remarked at the late meeting of the union masons that the "man who would lock up _a pump_ was unfit to hold any situation of trust." On the strength of this opinion the Earl of Waklegrave and Captain Duff intend to proceed against the Marshal of the Queen's Bench for having _locked them up_ for these last six months. * * * * * "THE FORCE OF FANCY COULD NO FURTHER GO." The Times gives an extract from the _Norwich Aurora_, an American paper, descriptive of a newly discovered cavern. The writer, with a power of imagination almost marvellous, remarks, "The air in the cavern had a peculiar smell, resembling--NOTHING." We believe that is the identical flavour of "_Leg of Nothing and no turnips_." * * * * * CONUNDRUM BY THE LORD MAYOR. Why does a drunken milkmaid resemble a celebrated French diplomatist?--Because she is like to _tally-wrong_--(Talleyrand.) * * * * * End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, November 13, 1841, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 14936.txt or 14936.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/9/3/14936/ Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the Online Distributed Proofreading Team Syamanta Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and
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