sed in detail.]

[Footnote 2: _Victoria Hist. of Northamptonshire_, i. 206-13; Artis,
_Durobrivae of Antoninus_ (fol. 1828).]

[Footnote 3: For the Belgic 'Castor ware' see the Belgian _Bulletin des
commissions royales d'art et d'archeologie_ (passim); H. du Cleuziou,
_Poterie gauloise_ (Paris, 1872), Fig. 173, from Cologne; _Sammlung
Niessen_ (Koeln, 1911), plates lxxxvii, lxxxviii; Brongniart, _Traite des
arts ceram._, pl. xxix (Ghent and Rheinzabern). M. Salomon Reinach tells
me that the ware is not infrequent in the departments of the valleys of
the Seine, Marne, and Oise. The Colchester gladiator's urn mentioning
the Thirtieth Legion (C.R. Smith, _Coll. Ant._, iv. 82, C. vii. 1335, 3)
may well be of Rhenish manufacture.]

[Footnote 4: This, or the corresponding scene of Perseus and Andromeda,
is a favourite with artists in northern Gaul and Britain. It occurs on
tombstones at Chester (_Grosvenor Museum Catalogue_, No. 138) and Trier
(Hettner, _Die roem. Steindenkmaeler zu Trier_, p. 206), and Arlon
(Wiltheim, _Luciliburgensia_, plate 57), and the Igel monument. For
other instances see Roscher's _Lexikon Mythol._, under 'Hesione'.]

[Illustration: FIG. 14. FRAGMENTS OF NEW FOREST POTTERY WITH LEAF
PATTERNS. (_From Archaeologia_).]

[Illustration: Fig. 15. URNS FROM CASTOR, NOW IN PETERBOROUGH MUSEUM.
(P. 41)]

[Illustration: FIG. 16. HUNTING SCENES FROM CASTOR WARE (ARTIS,
DUROBRIVAE). (SEE PAGE 41.)]

[Illustration: FIG. 17. HERCULES RESCUING HESIONE. (_From a piece of
Castor ware found in Northamptonshire._ C.R. Smith, _Coll. Ant._, vol.
iv, Pl. XXIV.)]

A second instance may be cited, this time from sculpture, of important
British work which is Celtic, or at least un-Roman (Frontispiece). The
Spa at Bath (Aquae Sulis) contained a stately temple to Sul or Sulis
Minerva, goddess of the waters. The pediment of this temple, partly
preserved by a lucky accident and unearthed in 1790, was carved with a
trophy of arms--in the centre a round wreathed shield upheld by two
Victories, and below and on either side a helmet, a standard (?), and a
cuirass. It is a classical group, such as occurs on other Roman reliefs.
But its treatment breaks clean away from the classical. The sculptor
placed on the shield a Gorgon's head, as suits alike Minerva and a
shield. But he gave to the Gorgon a beard and moustache, almost in the
manner of a head of Fear, and he wrought its features with a fierce
virile vigour that finds no