at should necessarily be there, were Napoleon
the author. It is full of absurd and of insignificant gossip, of
thoughts Napoleon never had, expressions unknown to him, and affectations
far removed from his character. With some elevated ideas, more than one
style and an equivocal spirit can be seen in it. Professed coincidences
are put close to unpardonable anachronisms, and to the most absurd
revelations. It contains neither his thoughts, his style, his actions,
nor his life. Some truths are mimed up with an inconceivable mass of
falsehoods. Some forms of expression used by Bonaparte are occasionally
met with, but they are awkwardly introduced, and often with bad taste.

It has been reported that the pamphlet was written by M. Bertrand,
formerly an officer of the army of the Vistula, and a relation of the
Comte de Simeon, peer of France.

--['Manuscrit de Sainte Helene d'une maniere inconnue', London.
Murray; Bruxelles, De Mat, 20 Avril 1817. This work merits a note.
Metternich (vol, i. pp. 312-13) says, "At the time when it appeared
the manuscript of St. Helena made a great impression upon Europe.
This pamphlet was generally regarded as a precursor of the memoirs
which Napoleon was thought to be writing in his place of exile. The
report soon spread that the work was conceived and executed by
Madame de Stael. Madame de Stael, for her part, attributed it to
Benjamin Constant, from whom she was at this time separated by some
disagreement." Afterwards it came to be known that the author was
the Marquis Lullin de Chateauvieux, a man in society, whom no one
had suspected of being able to hold a pen: Jomini (tome i. p. 8
note) says. "It will be remarked that in the course of this work
[his life of Napoleon] the author has used some fifty pages of the
pretended 'Manuscrit de Sainte Helene'. Far from wishing to commit
a plagiarism, he considers he ought to render this homage to a
clever and original work, several false points of view in which,
however, he has combated. It would have been easy for him to
rewrite these pages in other terms, but they appeared to him to be
so well suited to the character of Napoleon that he has preferred to
preserve them." In the will of Napoleon occurs (see end of this
work): "I disavow the 'Manuscrit de Sainte Helene', and the other
works under the title of Maxims, Sentences, etc., which they have
been pleased to publish dur