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ment which the enterprising publishers ventured upon, and I, who felt myself outside of the charmed circle drawn around the scholars and poets of Cambridge and Concord, having given myself to other studies and duties, wondered somewhat when Mr. Lowell insisted upon my becoming a contributor. And so, yielding to a pressure which I could not understand, and yet found myself unable to resist, I promised to take a part in the new venture, as an occasional writer in the columns of the new magazine. That was the way in which the second Portfolio found its way to my table, and was there opened in the autumn of the year 1857. I was already at least 'Nel mezzo del cammin di mia, vita,' when I risked myself, with many misgivings, in little-tried paths of what looked at first like a wilderness, a selva oscura, where, if I did not meet the lion or the wolf, I should be sure to find the critic, the most dangerous of the carnivores, waiting to welcome me after his own fashion. The second Portfolio is closed and laid away. Perhaps it was hardly worth while to provide and open a new one; but here it lies before me, and I hope I may find something between its covers which will justify me in coming once more before my old friends. But before I open it I want to claim a little further indulgence. There is a subject of profound interest to almost every writer, I might say to almost every human being. No matter what his culture or ignorance, no matter what his pursuit, no matter what his character, the subject I refer to is one of which he rarely ceases to think, and, if opportunity is offered, to talk. On this he is eloquent, if on nothing else. The slow of speech becomes fluent; the torpid listener becomes electric with vivacity, and alive all over with interest. The sagacious reader knows well what is coming after this prelude. He is accustomed to the phrases with which the plausible visitor, who has a subscription book in his pocket, prepares his victim for the depressing disclosure of his real errand. He is not unacquainted with the conversational amenities of the cordial and interesting stranger, who, having had the misfortune of leaving his carpet-bag in the cars, or of having his pocket picked at the station, finds himself without the means of reaching that distant home where affluence waits for him with its luxurious welcome, but to whom for the moment the loan of some five and twenty dollars would be a convenienc
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