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nd third stories of this old wooden building: his study in the second, his sleeping-room in the one above it. Paolo lived in the basement, where he had all the conveniences for cooking, and played the part of chef for his master and himself. This was only a part of his duty, for he was a man-of-all-work, purveyor, steward, chambermaid,--as universal in his services for one man as Pushee at the Anchor Tavern used to be for everybody. It so happened that Paolo took a severe cold one winter's day, and had such threatening symptoms that he asked the baker, when he called, to send the village physician to see him. In the course of his visit the doctor naturally inquired about the health of Paolo's master. "Signor Kirkwood well,--molto bene," said Paolo. "Why does he keep out of sight as he does?" asked the doctor. "He always so," replied Paolo. "Una antipatia." Whether Paolo was off his guard with the doctor, whether he revealed it to him as to a father confessor, or whether he thought it time that the reason of his master's seclusion should be known, the doctor did not feel sure. At any rate, Paolo was not disposed to make any further revelations. Una antipatia,--an antipathy,--that was all the doctor learned. He thought the matter over, and the more he reflected the more he was puzzled. What could an antipathy be that made a young man a recluse! Was it a dread of blue sky and open air, of the smell of flowers, or some electrical impression to which he was unnaturally sensitive? Dr. Butts carried these questions home with him. His wife was a sensible, discreet woman, whom he could trust with many professional secrets. He told her of Paolo's revelation, and talked it over with her in the light of his experience and her own; for she had known some curious cases of constitutional likes and aversions. Mrs. Butts buried the information in the grave of her memory, where it lay for nearly a week. At the end of that time it emerged in a confidential whisper to her favorite sister-in-law, a perfectly safe person. Twenty-four hours later the story was all over the village that Maurice Kirkwood was the subject of a strange, mysterious, unheard-of antipathy to something, nobody knew what; and the whole neighborhood naturally resolved itself into an unorganized committee of investigation. IV. THE YOUNG SOLITARY What is a country village without its mysterious personage? Few are now living who can remember the adv
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