FREE BOOKS

Author's List




PREV.   NEXT  
|<   894   895   896   897   898   899   900   901   902   903   904   905   906   907   908   909   910   911   912   913   914   915   916   917   918  
919   920   921   922   923   924   925   926   927   928   929   930   931   932   933   934   935   936   937   938   939   940   941   942   943   >>   >|  
th great skill and cheerfulness. For Mr. Winkle he had no feeling but contempt, and in fact regarded a fowling-piece as only a toy for a squaw. He had no Bible; and perhaps if he practised in his rude savage way all Dickens taught, he might less have felt the want even of that companion." FOOTNOTES: [261] I hope my readers will find themselves able to understand that, as well as this which follows: "What seems preposterous, impossible to us, seemed to him simple fact of observation. When he imagined a street, a house, a room, a figure, he saw it not in the vague schematic way of ordinary imagination, but in the sharp definition of actual perception, all the salient details obtruding themselves on his attention. He, seeing it thus vividly, made us also see it; and believing in its reality however fantastic, he communicated something of his belief to us. He presented it in such relief that we ceased to think of it as a picture. So definite and insistent was the image, that even while knowing it was false we could not help, for a moment, being affected, as it were, by his hallucination." [262] "Though," John Ballantyne told Lockhart, "he often turned himself on his pillow with a groan of torment, he usually continued the sentence in the same breath. But when dialogue of peculiar animation was in progress, spirit seemed to triumph altogether over matter--he arose from his couch and walked up and down the room, raising and lowering his voice, and as it were acting the parts." _Lockhart_, vi. 67-8. The statement of James Ballantyne is at p. 89 of the same volume. The original incidents on which Scott had founded the tale he remembered, but "not a single character woven by the romancer, not one of the many scenes and points of humour, nor anything with which he was connected as the writer of the work." [263] "Do you know _Master Humphrey's Clock_! I admire Nell in the _Old Curiosity Shop_ exceedingly. The whole thing is a good deal borrowed from _Wilhelm Meister_. But little Nell is a far purer, lovelier, more _English_ conception than Mignon, treasonable as the saying would seem to some. No doubt it was suggested by Mignon."--Sara Coleridge to Aubrey de Vere (_Memoirs and Letters_, ii. 269-70). Expressing no opinion on this comparison, I may state it as within my knowledge that the book referred to was not then known to Dickens. [264] The distinction I then pointed out was remarked by Sara Coleridge (_Memoirs and L
PREV.   NEXT  
|<   894   895   896   897   898   899   900   901   902   903   904   905   906   907   908   909   910   911   912   913   914   915   916   917   918  
919   920   921   922   923   924   925   926   927   928   929   930   931   932   933   934   935   936   937   938   939   940   941   942   943   >>   >|  



Top keywords:

Mignon

 

Coleridge

 
Ballantyne
 

Lockhart

 
Memoirs
 

Dickens

 
matter
 

connected

 
writer
 

single


remembered

 
founded
 

romancer

 
progress
 
points
 

character

 

scenes

 

humour

 

spirit

 

acting


lowering
 

raising

 
walked
 
altogether
 

triumph

 
volume
 

original

 

statement

 

incidents

 
Letters

Expressing
 

Aubrey

 
suggested
 

opinion

 

comparison

 
distinction
 

pointed

 

remarked

 

referred

 

knowledge


Curiosity

 

exceedingly

 

admire

 

Master

 

Humphrey

 
animation
 

English

 

conception

 

treasonable

 
lovelier