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seen of individual identity, and to think what a chance they have of living, as the Spanish friar said to Wilkie, when the living have passed away. But it only makes more exasperating to me the obstinate one-sidedness of the thing. When a man shows so forcibly the side of the medal on which the people in their faults and crimes are stamped, he is the more bound to help us to a glance at that other side on which the faults and vices of the governments placed over the people are not less gravely impressed." This led to some remark on Hogarth's method in such matters, and I am glad to be able to preserve this fine criticism of that great Englishman, by a writer who closely resembled him in genius; as another generation will be probably more apt than our own to discover. "Hogarth avoided the Drunkard's Progress, I conceive, precisely because the causes of drunkenness among the poor were so numerous and widely spread, and lurked so sorrowfully deep and far down in all human misery, neglect, and despair, that even _his_ pencil could not bring them fairly and justly into the light. It was never his plan to be content with only showing the effect. In the death of the miser-father, his shoe new-soled with the binding of his bible, before the young Rake begins his career; in the worldly father, listless daughter, impoverished young lord, and crafty lawyer, of the first plate of Marriage-a-la mode; in the detestable advances through the stages of Cruelty; and in the progress downward of Thomas Idle; you see the effects indeed, but also the causes. He was never disposed to spare the kind of drunkenness that was of more 'respectable' engenderment, as one sees in his midnight modern conversation, the election plates, and crowds of stupid aldermen and other guzzlers. But after one immortal journey down Gin-lane, he turned away in pity and sorrow--perhaps in hope of better things, one day, from better laws and schools and poor men's homes--and went back no more. The scene of Gin-lane, you know, is that just cleared away for the extension of Oxford-street, which we were looking at the other day; and I think it a remarkable trait of Hogarth's picture, that while it exhibits drunkenness in the most appalling forms, it also forces on attention a most neglected wretched neighbourhood, and an unwholesome, indecent, abject condition of life that might be put as frontispiece to our sanitary report of a hundred years later date. I have always m
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