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nion, which I am very anxious to know. I have not been in writing cue all the week; but really the weather has rendered it next to impossible to work." Four days later: "I shall send you with this (on the chance of your being favourable to that view of the subject) a small chapter to close the first number, in lieu of the Solomon Gills one. I have been hideously idle all the week, and have done nothing but this trifling interloper: but hope to begin again on Monday--ding dong. . . . The inkstand is to be cleaned out to-night, and refilled, preparatory to execution. I trust I may shed a good deal of ink in the next fortnight." Then, the day following, on arrival of my letter, he submitted to a hard necessity. "I received yours to-day. A decided facer to me! I had been counting, alas! with a miser's greed, upon the gained ten pages. . . . No matter. I have no doubt you are right, and strength is everything. The addition of two lines to each page, or something less,--coupled with the enclosed cuts, will bring it all to bear smoothly. In case more cutting is wanted, I must ask you to try your hand. I shall agree to whatever you propose." These cuttings, absolutely necessary as they were, were not without much disadvantage; and in the course of them he had to sacrifice a passage foreshadowing his final intention as to Dombey. It would have shown, thus early, something of the struggle with itself that such pride must always go through; and I think it worth preserving in a note.[136] [Illustration] [Illustration] Several letters now expressed his anxiety and care about the illustrations. A nervous dread of caricature in the face of his merchant-hero, had led him to indicate by a living person the type of city-gentleman he would have had the artist select; and this is all he meant by his reiterated urgent request, "I do wish he could get a glimpse of A, for he is the very Dombey." But as the glimpse of A was not to be had, it was resolved to send for selection by himself glimpses of other letters of the alphabet, actual heads as well as fanciful ones; and the sheetful I sent out, which he returned when the choice was made, I here reproduce in fac-simile. In itself amusing, it has now the important use of showing, once for all, in regard to Dickens's intercourse with his artists, that they certainly had not an easy time with him; that, even beyond what is ordinary between author and illustrator, his requirements were exact
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