y Munday, and Henry
Chettle. (_Ibid._, IV, 36.)

*72. ---- _The Works of Shakespeare_, London, 1844. (Vol. I, p. ccxli,
reprints a record of the end of certain early playhouses from "some
manuscript notes to a copy of Stowe's _Annales_, by Howes, folio,
1631, in the possession of Mr. Pickering." See No. 119.)

73. CONRAD, H. Robert Greene als Dramatiker. (The Shakespeare
_Jahrbuch_, XXIX-XXX, 210.)

74. CORBIN, J. Shakspere his own Stage-Manager. (_The Century
Magazine_, LXXXIII, 260.)

75. CREIGHTON, C. _A History of Epidemics in Britain._ 2 vols.
Cambridge, 1891-94.

76. CREIZENACH, W. _Geschichte des neueren Dramas._ Vol. IV, Part I,
Book viii. Halle, 1909. (English translation by Cecile Hugon, London,
1916.)

77. ---- Die Schauspiele der englischen Komoedianten. (_Deutsche
National-Litteratur_, XXIII.)

78. CULLEN, C. Puritanism and the Stage. (_Proceedings of the Royal
Philosophical Society of Glasgow_, XLIII, 153.)

79. CUNNINGHAM. P. Did General Harrison Kill "Dick Robinson" the
Player? (_The Shakespeare Society's Papers_, II, 11.)

*80. ---- _Extracts from the Accounts of the Revels at the Court in
the Reigns of Queen Elizabeth and King James I._ London. Printed for
The Shakespeare Society, 1842. (See Nos. 11, 180, 181, 184.)

81. ---- _A Handbook of London._ 2 vols. London, 1849. (A new edition,
"corrected and enlarged," London, 1850. See also No. 305.)

82. ---- _Inigo Jones. A Life of the Architect._ London. Printed for
The Shakespeare Society, 1848.

83. ---- Inigo Jones, and his Office under the Crown. (_The
Shakespeare Society's Papers_, I, 103.)

84. ---- Plays at Court, Anno 1613. (_Ibid._, II, 123.)

85. ---- Sir George Buc and the Office of the Revels. (_Ibid._, IV,
143.)

*86. ---- The Whitefriars Theatre, the Salisbury Court Theatre, and
the Duke's Theatre in Dorset Gardens. (_Ibid._, IV, 89.)

CURTAIN. See Nos. 96, 150, 151, 222, 223, 284.

*87. DASENT, J.R. _Acts of the Privy Council of England._ New Series.
London, 1890-. (This contains the Acts to the end of Elizabeth's
reign; for those Acts relating to the drama from 1603 to 1642, see No.
54. Cf. No. 260.)

88. _Description of the Great Machines of the Descent of Orpheus into
Hell. Presented by the French Comedians at the Cockpit in Drury Lane._
London, 1661.

89. Diaries and Despatches of the Venetian Embassy at the Court of
King James I., in the Years 1617, 1618. Translated by Rawdon Brown.
(_The Quarterly Review_, C