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ds_ particularly is a most dramatic novel of conditions and results similar to those in some of the dramas mentioned above. Many of his sketches and essays also--for example, "My Distant Relative" in _The Inn of Tranquillity_ and "Comfort" in _A Commentary_--are of biting and almost cynical irony in viewing proposed and present solutions of problems; but none suggest panaceas. They merely make us think soberly of the size of our problems and their immense complexity, move us to go out to look for more information and to examine carefully our most solid institutions as well as suggested alterations in them. A large part of Mr. Galsworthy's time and thought, both during the war and since, has been given to the problem of some measure of justice to soldiers, and particularly to wounded and broken soldiers. In _A Sheaf_ and _Another Sheaf_ appear various papers presenting sharply the conditions of suffering and neglect that actually exist. _The Sun_ is a brief sketch of after-war days,--this time of a wounded man who has gained an advantage over one who escaped injury,--and of joy in deliverance from the hell of war--a joy so profound and luminous that the released soldier cannot let a sharp mischance and disappointment mar his happiness. The whole piece is in the key of Captain Bassoon's verses after the Armistice:-- "Every one suddenly burst out singing." The other two think the happy soldier mad. We are left wondering what the reaction will be from this height of joyful release to the harsh and sombre conditions of workingmen's life after the peace. The _silver badge_ represents a discharge for wounds. _Crumps_ are, of course, shells. _Louise Sounders_: THE KNAVE OF HEARTS _The Knave of Hearts_ is one of the happy tradition of puppet-plays, which come down in unbroken line from the most ancient history, through the illustrious Dr. Faustus and Mr. Punch, to new and even greater favor and fame to-day. For just as the ancient puppet-shows of Italy and England seemed to be losing ground before the moving-picture invasion, they have been heroically rescued by Mr. Tony Sarg,--whose performance of Thackeray's _The Rose and the Ring_ is perfectly absurd and captivating,--and by other excellent artists. Puppet-shows are delightful because they are easily made and quite convincing. Very good ones have been improvised even by tiny children, with a pasteboard suit-box opening to the front, a slit at the top to
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