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ander Matthews+ THE DEVELOPMENT OF THE DRAMA: Scribner's. A STUDY OF THE DRAMA: Houghton Mifflin. A most helpful account. +Charlotte Porter+ THE STAGE OF SHAKESPEARE: Badger. A MIDSUMMER NIGHT'S DREAM AS A FOLK-PAGEANT. Drama, VII, Nos 26, 27. Valuable articles for reconstructing the Elizabethan plays. +Maurice Sand+ HISTORY OF THE HARLEQUINADE: Lippincott. +Clarence Stratton+ PRODUCING IN LITTLE THEATRES: Holt, 1921. The magazines _Drama, Poet Lore,_ the _Theater Arts Magazine_, the _Little Theater Magazine_, and articles in the _English Journal_ are of value. AS TO PLAYS AND DRAMATIZATION IN SCHOOL +H. Caldwell Cook+ THE PLAY WAY: Heinemann. Valuable account of work at the Pearse School in Cambridge, England. +Emma Sheridan Fry+ EDUCATIONAL DRAMATICS: Lloyd Adams Noble. +Alice Minnie Herts+ THE CHILDREN'S EDUCATIONAL THEATRE: Harper. +Alice Minnie Herts Heniger+ THE KINGDOM OF THE CHILD: Dutton. +Margaret Skinner+ SOCIALIZING DRAMATICS: _English Journal_, October, 1920, 9:445. An excellent account of really educational dramatics. End of Project Gutenberg's The Atlantic Book of Modern Plays, by Various *** END OF THIS PROJECT GUTENBERG EBOOK THE ATLANTIC BOOK OF MODERN PLAYS *** ***** This file should be named 16435.txt or 16435.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/4/3/16435/ Produced by William Boerst, Andre Lapierre and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and r
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