an account which a young doctor gave me
of an excellent composition of Crabbe, as yet unpublished. In this
work, the English poet has introduced a fantastic being called _Life
in Death_. This personage crosses the oceans of the world in pursuit
of a living skeleton called _Death in Life_--I recollect at the time
very few people, among the guests of a certain elegant translator of
English poetry, understood the mystic meaning of a fable as true as it
was fanciful. Myself alone, perhaps, as I sat buried in silence,
thought of the whole generations which as they were hurried along by
life, passed on their way without living. Before my eyes rose faces of
women by the million, by the myriad, all dead, all disappointed and
shedding tears of despair, as they looked back upon the lost moments
of their ignorant youth. In the distance I saw a playful Meditation
rise to birth, I heard the satanic laughter which ran through it, and
now you doubtless are about to kill it.--But come, tell me in
confidence what means you have discovered by which to assist a woman
to squander the swift moments during which her beauty is at its full
flower and her desires at their full strength.--Perhaps you have some
stratagems, some clever devices, to describe to me--"

The viscount began to laugh at this literary disappointment of mine,
and he said to me, with a self-satisfied air:

"My wife, like all the young people of our happy century, has been
accustomed, for three or four consecutive years, to press her fingers
on the keys of a piano, a long-suffering instrument. She has hammered
out Beethoven, warbled the airs of Rossini and run through the
exercises of Crammer. I had already taken pains to convince her of the
excellence of music; to attain this end, I have applauded her, I have
listened without yawning to the most tiresome sonatas in the world,
and I have at last consented to give her a box at the Bouffons. I have
thus gained three quiet evenings out of the seven which God has
created in the week. I am the mainstay of the music shops. At Paris
there are drawing-rooms which exactly resemble the musical snuff-boxes
of Germany. They are a sort of continuous orchestra to which I
regularly go in search of that surfeit of harmony which my wife calls
a concert. But most part of the time my wife keeps herself buried in
her music-books--"

"But, my dear sir, do you not recognize the danger that lies in
cultivating in a woman a taste for singing, a