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. But the heavy swell is, after all, a harmless nobody. His curse, his besetting sin, his _monomania_, is vanity tinctured with pride: his weak point can hardly be called a crime, since it affects and injures nobody but himself, if, indeed, it can be said to injure him who glories in his vocation--who is the echo of a sound, the shadow of a shade. The GENTILITY-MONGERS, on the contrary, are positively noxious to society, as well particular as general. There is a twofold or threefold iniquity in their goings-on; they sin against society, their families, and themselves; the whole business of their lives is a perversion of the text of Scripture, which commandeth us, "in whatever station we are, therewith to be content." The gentility-monger is a family man, having a house somewhere in Marylebone, or Pancras parish. He is sometimes a man of independent fortune--how acquired, nobody knows; that is his secret, his mystery. He will let no one suppose that he has ever been in trade; because, when a man intends gentility-mongering, it must never be known that he has formerly carried on the tailoring, or the shipping, or the cheese-mongering, or the fish-mongering, or any other mongering than the gentility-mongering. His house is very stylishly furnished; that is to say, as unlike the house of a man of fashion as possible--the latter having only things the best of their kind, and for use; the former displaying every variety of extravagant gimcrackery, to impress you with a profound idea of combined wealth and taste, but which, to an educated eye and mind only, conveys a lively idea of ostentation. When you call upon a gentility-monger, a broad-shouldered, coarse, ungentlemanlike footman, in Aurora plushes, ushers you to a drawing-room, where, on tables round, and square, and hexagonal, are set forth jars, porcelain, china, and delft; shells, spars; stuffed parrots under bell-glasses; corals, minerals, and an infinity of trumpery, among which albums, great, small, and intermediate, must by no means be forgotten. The room is papered with some _splendacious_ pattern in blue and gold; a chandelier of imposing gingerbread depends from the richly ornamented ceiling; every variety of ottoman, lounger, settee, is scattered about, so that to get a chair involves the right-of-search question; the bell-pulls are painted in Poonah; there is a Brussels carpet of flaming colours, curtains with massive fringes, bad pictures in gorgeous fra
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